EAN: 4015082594428 - manufacturer-number: NZM1-XU208-240AC - Under voltage coil 208...240VAC Rated control supply voltage Us at AC 50HZ 208 ... 240V, Rated control supply voltage Us at AC 60HZ 208 ... 240V, Voltage type for actuating AC, Type of electric connection Screw connection, Number of contacts as normally open contact 0, Number of contacts as normally closed contact 0, Number of contacts as change-over contact 0, Suitable for power circuit breaker, Suitable for switch disconnector, Unterspannungsauslöser NZM1-XU208-240AC Betätigungsart AC, Anschlussart Schraubanschluss, Anzahl der Schließer 0, Anzahl der Öffner 0, Anzahl der Wechsler 0, Für Leistungsschalter, Für Lastschalter,Note:After registration and login, all costs (also discounts) arising for you will be clearly shown in the cart (over the icon cart) depending on the payment methods, shipping methods and order amounts you have selected as well as your country and address. - NZM1-XU208-240AC
EAN: 4015082594992 - manufacturer-number: NZM2/3-XU208-240AC - Under voltage coil 208...240VAC Rated control supply voltage Us at AC 50HZ 208 ... 240V, Rated control supply voltage Us at AC 60HZ 208 ... 240V, Voltage type for actuating AC, Type of electric connection Screw connection, Number of contacts as normally open contact 0, Number of contacts as normally closed contact 0, Number of contacts as change-over contact 0, Suitable for power circuit breaker, Suitable for switch disconnector, U-Auslöser NZM2/3-XU208-240AC Bemessungssteuerspeisespannung 208 ... 240V, Betätigungsart AC, Anschlussart Schraubanschluss, Anzahl der Schließer 0, Anzahl der Öffner 0, Anzahl der Wechsler 0, Für Leistungsschalter, Für Lastschalter, Note:After registration and login, all costs (also discounts) arising for you will be clearly shown in the cart (over the icon cart) depending on the payment methods, shipping methods and order amounts you have selected as well as your country and address. - NZM2/3-XU208-240AC
EAN: 4011377264151 - manufacturer-number: 3601REG - Dimming actuator bus system 50...500W Bus system EIB/KNX, Model Dimming actuator, Mounting method DRA, Width in number of modular spacings 4, Bus connection included, Number of outputs 1, Output power from/to 50 ... 500W, Type of load Universal, Degree of protection (IP) IP20, Blueway-Classification Component for energy saving solution, The universal dimming actuator receives telegrams for switching or dimming purposes. It can work with the principle of trailing or leading edge control. That means either low voltage halogen lamps with TRONIC transformer or conventional (inductive) transformer can be controlled. The max. capacity can be extended by using power amplifiers (see main catalogue). Depending on the parameter it is possible to activate various additional functions. Technical data Supply Voltage: 24 V DC (+6 V / -4 V) Power consumption: 150 mW Connection: instabus connection block Output Number: 1 Performance: Power MOS-FET, trailing edge or leading edge Rated voltage: 230 V AC ± 10 %, 50/60 Hz Rated current: 2.2 A Min. Capacity: 50 W (if channel ist loaded) Capacity: 50 to 500 W ohmic load 50 to 500 W high voltage halogen load 50 to 500 W LV halogen with conventional transformer 50 to 525 W LV halogen with TRONIC transformer Connection: clamp bar Protection: IP 20 Behaviour at voltage drop only bus voltage: dimming actuator switches off only mains: dimming actuator switches off bus and mains: dimming actuator switches off Behaviour at voltage recovery only bus voltage: dependent on parameters only mains: device controls brightness according to object value bus and mains: dependent on parameters Operation temp.: -5°C to +45°C Operation temp.: -25°C to +75°C Mounting: on DIN rail 35 x 7.5 Notes: · The device is equipped with a short circuit and over temperature protection. Trailing edge control: The channel switches off after 7 s. Leading edge control: The channel switches off after 100 ms. · After over temperature detection the channel is switched on again to the given brightness value after it is cooled down. · After the first installation or after mains recovery the device detects the load and will be adjusted (between 1 and 10s) to the corresponding load (trailing or leading edge control). · Mixed loads, i.e. TRONIC and inductive transformer are NOT allowed ! · Within a mixed load with inductive transformers and ohmic load the ohmic part must be below 50 % !Note:After registration and login, all costs (also discounts) arising for you will be clearly shown in the cart (over the icon cart) depending on the payment methods, shipping methods and order amounts you have selected as well as your country and address. - 3601 REG
The ICTDA4605 controls theMOSPower Transistor and performs all necessary regulation and monitoring functions in free running flyback converters. Since good load regulation over a wide load range is attained, this IC is particularly suitable for Consumeras well as IndustrialPower Supplies.
The ICTDA4605 controls theMOSPower Transistor and performs all necessary regulation and monitoring functions in free running flyback converters. Since good load regulation over a wide load range is attained, this IC is particularly suitable for Consumeras well as IndustrialPower Supplies.
Is the Internet erasing national borders? Will the future of the Net be set by Internet engineers, rogue programmers, the United Nations, or powerful countries? Who's really in control of what's happening on the Net? In this provocative new book, Jack Goldsmith and Tim Wu tell the fascinating story of the Internet's challenge to governmental rule in the 1990s, and the ensuing battles with governments around the world. It's a book about the fate of one idea--that the Internet might liberate us forever from government, borders, and even our physical selves. We learn of Google's struggles with the French government and Yahoo's capitulation to the Chinese regime; of how the European Union sets privacy standards on the Net for the entire world; and of eBay's struggles with fraud and how it slowly learned to trust the FBI. In a decade of events the original vision is uprooted, as governments time and time again assert their power to direct the future of the Internet. The destiny of
Adobe Premiere Pro CS5.5
What is Adobe Premiere Pro?
Adobe
Premiere
Pro CS5.5 software lets you edit faster with true native format support. Get breakthrough performance on workstations and laptops; streamline collaboration; and boost productivity with an efficient, robust, cross-platform editing workflow.
Experience industry-leading performance
Work smoothly with the enhanced 64-bit Adobe
Mercury Playback Engine, now on workstations and laptops; GPU acceleration; and the ability to adjust playback resolution in the Source or Program Monitor in Adobe Premiere
Pro CS5.5 software.
Mercury Playback Engine
Get amazing performance from the Mercury Playback Engine on both desktops and laptops (Windows
and Mac OS). Natively 64-bit and optimized for modern CPUs, Mercury delivers astounding performance with or without GPU acceleration.
Variable playback resolution
Edit high-resolution projects on lower spec computers with the ability to adjust the playback resolution in the Source or Program Monitor. Separate Playback and Pause resolutions give you more control over monitoring.
GPU-accelerated effects
Speed up your creative workflow by seeing the results of even more effects without having to render them first, thanks to GPU acceleration and the enhanced 64-bit Adobe Mercury Playback Engine, now on workstations and laptops.
Video preview format and resolution settings
Adjust the video preview format and resolution to promote smooth playback when your computer's hardware is unable to play back the full sequence frame size in real time.
Work in real time
Take advantage of GPU-accelerated effects to control frame rate, aspect ratio, field order, alpha channels, pull-down removal, real-time keying, time remapping, transitions, and more.
GPU-accelerated Ultra keyer
Easily achieve complex keys on challenging footage with GPU-accelerated Ultra
, which typically keys in real time (using NVIDIA
graphics cards, depending on system configuration and file types).
GPU-accelerated media processing
Correct issues caused by mismatched media, media with varying types of alpha channels, and more with GPU-accelerated effects that compensate for differences in frame rate, field order, and pixel aspect ratio.
Speed change effects
Create high-quality slow motion or fast motion and play clips backwards using GPU-accelerated time remapping, speed change, and backwards effects.
Interpret Footage
Use the Interpret Footage command before encoding to override automatic interpretation of the frame rate, pixel aspect ratio, field order, or alpha channel settings of items you import into Adobe Media Encoder.
Field options
Eliminate unwanted interlacing artifacts with GPU-accelerated effects that give you control over field order, interlacing, deinterlacing, and flicker removal.
GPU-accelerated transitions
Transition between clips using Additive Dissolve to add the color information from clip B to clip A, and then subtract the color information of clip A from clip B. Get a film-like transition with Film Dissolve.
Blur effects
Quickly add blur to large areas of your clips using GPU-accelerated Fast Blur, create the illusion of motion using Directional Blur, and see the results in real time thanks to GPU acceleration.
Streamline production with a native file-based workflow
Maximize quality and eliminate time-consuming transcoding and rewrapping. Adobe Premiere Pro provides native support for P2; XDCAM EX, HD, and HD50; JVC ProHD, AVCHD, and AVCCAM; DPX; and Canon and Nikon DSLR cameras as well as enhanced RED R3D and Canon XF support.
Native RED EPIC camera support
Edit up to 5K footage shot from RED EPIC
cameras without transcoding or rewrapping, and access RED parameters directly from the enhanced Source Settings dialog box. Download the RED EPIC camera importer for native support in CS5.5.
Expanded RED support
Work natively with RED footage, with support for RED Rocket, Mysterium X
, and the latest Color Science and Firmware for RED ONE
cameras. The Source Settings dialog box gives you full control over RED parameters and allows RMD files to be imported and exported.
Extensive native file-based workflow
Eliminate time-consuming transcoding and rewrapping and maximize quality thanks to native support for P2; XDCAM EX, HD, and HD50; JVC ProHD, AVCHD, and AVCCAM; DPX; and Canon and Nikon DSLR cameras as well as enhanced support for RED R3D, Canon XF, and more.
Native support for Nikon DSLR cameras
Easily import and edit video shot with Nikon D90, D300s, and D3000 DSLR cameras. Native format support preserves the original file's pristine quality by eliminating transcoding and rewrapping, allowing you to start working immediately.
Enhanced Canon XF native support
Preview Canon XF footage in the Media Browser panel and utilize camera metadata throughout your preproduction and post-production workflows. Spanned clips are displayed as a single asset in the Media Browser, reducing clutter.
Panasonic P2 export
Export content in Panasonic P2 format, either to P2 media for use in a P2 workflow or to hard disk for archiving. Choose from DVCPRO HD and AVC-Intra codecs.
Tapeless HDV support
Edit content natively from Sony HDV cameras that record directly to removable media. Use the Media Browser to find clips and organize them using metadata, and then import content directly without transcoding or rewrapping.
Native AVCHD support
Import and natively edit AVCHD content from Sony, Panasonic, and Canon cameras without transcoding or rewrapping the content. Use the Media Browser to browse clips and view metadata
including metadata from Panasonic AVCCAM cameras.
Media Browser panel for file-based workflows
Easily find content on tapeless cameras by viewing all your clips, along with a customizable view of the metadata associated with the content. Open clips and image files in the Source Monitor directly from the Media Browser panel.
Native support for Canon DSLR cameras
Easily import and edit video shot with Canon DSLR cameras, including the EOS 5D Mark II and 7D, using a complete, easy-to-use toolset. Native format support eliminates transcoding and rewrapping, preserving the source file's pristine quality.
Panasonic P2 native support
Natively edit content from Panasonic cameras in DVCPRO, DVCPRO HD, and AVC-Intra formats and across multiple P2 cards. View metadata in the Media Browser, and edit content from the P2 card or transfer it to hard disk for best performance.
Broad Sony XDCAM native format support
Edit all types of Sony XDCAM content natively, without rewrapping or transcoding. Browse and organize clips using the Media Browser. Edit from the SxS card via the camera or card reader (XDCAM EX only), or transfer to hard disk for best performance.
DPX file import and export
Work with DPX frame sequences that include embedded timecode as footage in Adobe Premiere Pro CS5.5. Full control over parameters like black point, bit depth, and log/linear space allows nondestructive changes to be made at any time.
Native AVC-Intra support
Import, play back, and edit AVC-Intra clips natively with no transcoding or rewrapping. A true file-based workflow supports both 50Mbps and 100Mbps bitrates at all common frame rates. The Media Browser lets you view clips directly.
Native support for JVC ProHD
Edit footage shot on JVC ProHD video cameras and stored as either MOV or MP4 files. Native support eliminates time-consuming transcoding or rewrapping and preserves the original pristine quality of the source footage.
Take advantage of broad format support
Import and export major video, audio, and graphic file formats, and combine them all in the Adobe Premiere Pro timeline. Adobe Premiere Pro also supports a wide range of hardware, so you can build the editing system that meets your needs and budget.
Expanded RED support
Work natively with RED footage, with support for RED Rocket, Mysterium X
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, and the latest Color Science and Firmware for RED ONE
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cameras. The Source Settings dialog box gives you full control over RED parameters and allows RMD files to be imported and exported.
Mixed-format timeline support
Combine content from all supported formats in the Adobe Premiere Pro timeline without restrictions. High-quality scaling and flexible footage interpretation rules make it easy to produce exceptional output from mixed-format footage.
Support for all major media types
Import and export major video, audio, and graphic file formats, including FLV, F4V, MPEG-2, QuickTime, Windows Media, AVI, BWF, AIFF, JPEG, PNG, PSD, TIFF, and more.
DPX file support
Use native DPX file import and export to create a 10-bit uncompressed DI workflow. Timecode is preserved throughout import, editing, and export.
Still-image file support
Import still-image files in major formats, including PSD, BMP, GIF, EPS, JPEG, PCX, PICT, PNG, and TIFF. Export in BMP, GIF, TARGA, and TIFF formats.
ASIO compatibility
Record and play back audio through any multichannel audio card or hardware that supports the industry-standard ASIO protocol.
Video hardware support
Choose from a wide range of capture cards and other hardware to build the HD, SD, or DV editing system that meets your needs and budget.
Enjoy the convenience of Adobe integration
Effortlessly move assets between Adobe Premiere Pro and other Adobe applications, including Adobe After Effects
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, Photoshop
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Extended, Illustrator
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, Flash
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Catalyst
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, Adobe Audition
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, and Adobe OnLocation
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Unparalleled Adobe integration
Effortlessly move assets between Adobe Premiere Pro and other Adobe Creative Suite
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Production Premium components
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? Adobe After Effects, Photoshop Extended, Illustrator, Flash Catalyst, and, new in CS5.5, Adobe Audition.
Roundtrip workflows with Adobe Audition
Get a fast, flexible roundtrip audio workflow with Adobe Audition
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CS5.5 software. Pass individual audio clips and multitrack mixes or complete video sequences between Adobe Premiere Pro CS5.5 and Adobe Audition for editing and sweetening.
Direct integration with Adobe Story
Speed up your editing workflow by importing scripts with metadata from Adobe Story, an Adobe CS Live online service,1,2 into Adobe Premiere Pro CS5.5. Eliminate hours of routine work using Speech Search and other metadata to quickly find footage.
Adobe OnLocation integration
Record SD and HD video to hard disk and log metadata while shooting using Adobe OnLocation
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. Transfer content directly to Adobe Premiere Pro, maintaining all metadata and clip information, including in and out points set in Adobe OnLocation.
Dynamic Link
Use Adobe Dynamic Link to open sequences "live" in Adobe Encore
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software without rendering first. Any changes made in Adobe Premiere Pro are automatically reflected in Encore. Native 64-bit support improves Dynamic Link performance.
Adobe After Effects integration
Drag and drop or copy and paste clips and timelines between Adobe Premiere Pro and After Effects. Open complete Adobe Premiere Pro projects, including nested sequences, in After Effects.
Extensive Adobe Photoshop integration
Import Photoshop files that contain video without rendering them first. Control how they look by choosing which layers to import and how to import them. Apply keyframeable Photoshop blend modes to clips on the timeline.
Group clip transfer
Transfer groups of clips to After Effects using a single command. Adobe Premiere Pro re-creates the structure of your clips in an After Effects composition and then imports the composition into the timeline using Dynamic Link.
Adobe Illustrator integration
Open Illustrator files in Adobe Premiere Pro. When you scale an image in Adobe Premiere Pro, the image is continuously rasterized, so image quality remains pristine.
Direct export from Adobe Premiere Pro
Save time by exporting media directly from Adobe Premiere Pro without first adding it to the Adobe Media Encoder queue.
Achieve creative excellence
Realize your creative vision with Adobe Premiere Pro CS 5.5, taking advantage of real-time stereoscopic 3D editing, support for closed captioning, time remapping, precise keyframe controls, and more.
Closed-captioning support
Play back and display 608 and 708 closed captions, synced to your video sequence and viewable in the Program Monitor.
Real-time steroscopic 3D editing
Edit 3D content in real time thanks to 64-bit performance and world-class integration with CineForm Neo 3D, which provides a smoother workflow than Final Cut Pro.
Multicam editing
View multiple-camera shoot tracks, easily sync via timecode, and edit by switching between tracks in real time. Rerecord sections of your edit, make fine editing adjustments, and adjust color across multiple shots, even after editing.
Time remapping
Use high-quality slow motion to create dramatic effects that focus on the action. With a streamlined, on-clip interface, the time remapping feature makes it easy to speed up, slow down, reverse, and hold frames with precision.
Precise keyframe controls
Control audio and video effect parameters using comprehensive keyframe controls. Get precise control using Bezier handles to finesse the shape of parameter curves.
Robust color-correction tools
Use primary and secondary color-correction tools, and see results instantly with GPU acceleration. Match shots; change colors; correct exposure; and modify highlights, midtones, and shadows across clips, sequences, or entire projects.
Integrated titling
Create sophisticated text and graphics titles from scratch, professionally designed templates, or user-defined styles.
Auto-color adjustment
Instantly improve your video image quality with effects like those in Adobe Photoshop, including Auto Color, Auto Contrast, and Shadows/Highlights.
Lighting Effects
Add a spot, directional, or omni light to your video footage. Create multiple lights to see different looks on different parts of a scene.
Animated track-matte workflow
Easily create traveling mattes by applying effects and animation to individual track-matte clips.
Clip and timeline effects
Apply powerful, built-in visual and motion effects to clips. Create custom effects presets. Increase your options with an extensive range of After Effects compatible plug-ins. Get GPU-accelerated real-time feedback for many effects.
Audio keyframing
Create smooth audio crossfades and other audio changes with a minimal number of keyframes. By creating fewer audio keyframes over a given time interval, Adobe Premiere Pro simplifies the editing process.
Collaborate through third-party workflow integration
Work in an open, extensible production environment. Write scripts collaboratively. Efficiently gather feedback from clients and teammates. Easily exchange projects with Final Cut Pro and Avid software, as well as other Adobe software.
Streamlined collaboration
Collaborate more easily thanks to enhanced integration with Final Cut Pro and Avid Media Composer, and with Adobe CS Review, a separate CS Live online service. Save time by background encoding files for CS Review using new presets in Adobe Media Encoder.
Native editing of QuickTime formats
Import and edit all the popular QuickTime formats natively (including Apple ProRes and MOV files captured by Canon 5D and 7D cameras), with full access to clip metadata
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? no transcoding, rewrapping, logging, or transferring required.
Final Cut Pro project import and export
Roundtrip projects between Adobe Premiere Pro and Final Cut Pro without conversion or re-rendering, preserving commonly used effects and transitions. Bring the creative benefits of Adobe tools to any post-production workflow.
Avid NLE project AAF import and export
Use AAF import and export to share projects with Avid NLEs without conversion or re-rendering, preserving commonly used effects and transitions. You can also import and export CMX3600 format Edit Decision Lists (EDLs).
OMF file export
Export your audio in Open Media Framework (OMF) format for interchange with audio workstations. Then import the final audio back into Adobe Premiere Pro and use direct audio channel routing to preserve the final mix.
Get better output faster with Adobe Media Encoder
Create output more quickly for any video format or device, including web, phone, and tablet, with 64-bit Adobe Media Encoder. Use intuitive presets and context menus to configure multiple outputs from Adobe Premiere Pro and batch encode.
Fast, reliable multiscreen delivery
Output your work for computers, smartphones, tablets, and television with Adobe Media Encoder CS5.5. Use intuitive presets and contextual menus to set up sequences once for multiple formats, and batch encode while you keep editing.
Easy presets for popular devices and formats
Save time and encode content more easily by using Adobe Media Encoder CS5.5 presets that help ensure your video looks great on widely used output formats and devices, including mobile devices and HDTV.
Match Sequence Settings
Make encoding settings match the original Adobe Premiere Pro source sequence or After Effects composition. With Match Sequence Settings, you save time by not having to recheck all encoding options even when you aren't changing them.
Drag-and-drop encoding
Drag and drop sequences from Adobe Premiere Pro and compositions from After Effects
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directly into Adobe Media Encoder CS5.5, which can then encode them immediately. This saves many steps compared with Adobe Media Encoder CS5.
Enhanced watch folder workflow
Set up Adobe Media Encoder CS5.5 to watch a folder. Automatically encode files arriving in the folder to a format you specify. Multiple watch folders can encode to different formats and to the same destination folder.
Improved user interface and workflow
Take advantage of a clearer user interface, new presets, and new contextual menus that improve your Adobe Media Encoder workflow. Expand Queue items to check formats, progress, and encoding settings. Monitor job status in the new Watch Folders section.
Metadata output templates
Preserve metadata in Adobe Media Encoder output to make production more efficient and enhance usability, or clear metadata before output to protect confidential production data before distributing content to external audiences.
Bitrate based on source frame size
Help ensure video looks great on screens of all sizes by automatically setting the encoding bitrate level based on source (instead of destination) frame dimensions in Adobe Media Encoder for selected Adobe Flash and Blu-ray Disc output formats.
Interpret Footage
Use the Interpret Footage command before encoding to override automatic interpretation of the frame rate, pixel aspect ratio, field order, or alpha channel settings of items you import into Adobe Media Encoder.
Crop and trim control
Easily crop the frame size and trim the in and out points of a clip or sequence in Adobe Media Encoder.
Automatic still image sequencing
Automatically encode still images as a video sequence. When you import a numbered series of still images into Adobe Media Encoder CS5.5, it intelligently recognizes them as stills and offers to encode them as one video sequence.
XMP cue points from metadata
Add XMP cue points in Adobe Media Encoder read from metadata in FLV or F4V source files, as well as manually prior to encoding.
Audible alerts when jobs are completed
Hear alerts when Adobe Media Encoder finishes jobs in the background, so you can keep working without having to watch the queue. Different sounds indicate whether jobs have been completed successfully or with errors.
Settings Summary
Get more visual feedback using the Settings Summary dialog box in Adobe Media Encoder. Show information for output and source content, and use tool tips to see the output settings for items being encoded.
Adobe Media Encoder CS Review presets
Save time with new Adobe Media Encoder presets that are optimized for output to Adobe CS Review, a CS Live online service.
Benefit from an end-to-end metadata workflow
Make the most of your metadata, whether you
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?re turning spoken dialogue into written transcripts with RapidFind, synchronizing scripts to footage, or finding clips with human faces. Customize the way metadata is displayed to match your workflow.
Speech Analysis
Turn spoken dialogue into timecode-accurate transcripts. Use RapidFind to jump to a specific area by searching for keywords within the dialogue, or even cut video based on the transcript. Reference scripts, such as an Adobe Story script, increase accuracy.
Synchronized footage
Use Speech Analysis to synchronize your scripts to footage, and then edit based on the dialogue transcript. Download Speech Analysis Models that allow you to convert spoken words into text from many languages.
Face detection
Rapidly find interview sound bites without having to play through each clip in your project. Run the Content Analysis process on clips in your project, and then use the search tool to find clips with human faces in them.
Metadata views in the Project panel
Get immediate access to metadata that is important to your production. Customize and save the way XMP metadata is displayed in the Project panel, with control over individual fields and the ability to import custom metadata schemas.
Metadata panel
View and edit metadata for selected items using the Metadata panel. Control how individual fields are displayed, customize schemas, apply changes to selected files, and save configurations for later use. Locate metadata fast with RapidFind.
Be more productive thanks to an efficient metadata-driven workflow enabled by Adobe OnLocation
Take control of your footage with powerful shot logging and management features and the fast, intuitive Adobe OnLocation interface. Easily place comment markers during recording, and manage metadata across assets.
File browsing from disk
Find the files you need quickly by opening any supported media files directly in the Adobe OnLocation Monitor window. Play and scrub files, and add in and out points using the fast, intuitive Adobe OnLocation interface.
Easy access to Take and Shot recording
Switch between Take and Shot recording modes using a dedicated control in the Shot List that provides immediate visual confirmation of the current mode.
Custom metadata schemas
Promote consistent logging by multiple users, and across productions, by importing precreated metadata schema files that include specific field values.
Powerful Shot List management
Save time using powerful options to break out scenes into multiple clips and camera angles. Import Adobe Story scripts to create complete Shot Lists in Adobe OnLocation that retain metadata, including dialogue, characters, and more.
Tapeless recording and logging
Use the powerful logging options in Adobe OnLocation with tapeless cameras: Tell Adobe OnLocation which shot is recording and log comments. When the tapeless clips are imported, the information is automatically merged.
Easy comment marker placement
Help ensure the accuracy of comment markers you make during recording by dragging and dropping them or by entering exact timecode values. This makes it easy to review specific parts of the recording while still at the shoot.
Timesaving XMP metadata
Speed up your post-production workflow with metadata acquired during preproduction and production.
Speed up video capture and editing with Adobe OnLocation
Accomplish more while you
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?re recording or importing footage. Log live action accurately while recording, and analyze imported files quickly. Check the contents of tapeless camera media without importing it, and browse project contents in the Media Browser.
Professional on-set monitoring
Maximize camera image quality during shoots by using Adobe OnLocation to quickly calibrate your camera, check levels, and monitor signals. The virtual waveform monitor and vectorscope help you avoid problems and improve quality.
Imported file scan and analysis
Analyze imported files with the same alert system used during live disk recording. Adobe OnLocation quickly scans imported media for problems with audio pops and clipping and video overbrights.
TurboComments
While recording, add frequently used words
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? with a single key press to log live action accurately and efficiently. Adobe OnLocation lets you store up to nine comments with shortcuts for timecode-accurate recall.
Comment marker list
View and edit the comment markers for each clip in your project using a sortable list view that makes it easy to find specific logged issues and view them in the Adobe OnLocation Monitor window.
Poster frames
Find clips visually more efficiently by assigning a poster frame for each clip.
Camera browsing without importing
Use Adobe OnLocation to check the contents of file-based camera media without having to copy to the hard drive or import content into the Adobe OnLocation project.
Project browsing in the Media Browser
Find media used in Adobe OnLocation projects without opening the projects. View the project contents in the Media Browser as if the project were a folder of media, and then drag and drop files directly into the current project.
File-based camera support
Work with tapeless cameras using all the Adobe OnLocation
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capabilities for on-set logging and clip analysis. Import Sony XDCAM, XDCAM HD, XDCAM EX, Panasonic P2, AVCHD, AVC-Intra, and HDV media without transcoding or rewrapping.
Timecode-accurate playhead placement
Position the playhead exactly where you need it using timecode controls that allow scrubbing of timecode or direct entry of specific values.
Audible playback while scrubbing
Find the section you need more quickly by listening to audio during scrubbing and frame advance.
Recording and logging without wires
Add comments and metadata to clips being recorded on a tapeless camera that
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?s not connected to Adobe OnLocation. Specify which shot is recording and log comments. Data is automatically merged with the corresponding clips on import.
Sub-project export
Export the takes that are tagged "wanted" in the Adobe OnLocation Shot List. Access the sub-project's folder from the Media Browser panel in Adobe Premiere Pro. Clips with in and out points form a rough cut when added to a sequence.
Convenient missing media relinking
Reconnect broken file references in your Adobe OnLocation project quickly and easily.
Shot List publishing
Keep everyone up to date during production by publishing your Adobe OnLocation Shot List as a CSV file that can be viewed on a variety of software and devices, including iPod touch and iPhone.
Direct-to-disk recording
Bypass tape completely during shooting with Adobe OnLocation. Connect your camera to your laptop and start recording directly to hard disk. Review footage immediately, and then quickly bring it into Adobe Premiere Pro for editing.
Realize your vision with powerful Encore authoring tools
Send Adobe Premiere Pro projects directly to Adobe Encore without rendering. In Encore, efficiently create DVDs, Blu-ray discs, and web DVDs, all from a single project. Use flowcharts to define and view the navigation of your project.
Integrated search for web DVD titles
Offer viewers a more engaging experience with the ability to search by keyword within a web DVD. Encore uses metadata from speech analysis, subtitles, and menu and button names to make web DVD titles automatically searchable.
Single project, multiformat delivery
Efficiently create DVDs, Blu-ray discs, and web DVDs, all from a single Encore project file. With support for pop-up menus and subtitles, viewers of web DVD titles enjoy all the benefits of the Blu-ray experience delivered online.
Dynamic Link integration
Send your Adobe Premiere Pro projects directly to Encore without rendering first. Changes in the timeline are reflected immediately in Encore thanks to Adobe Dynamic Link.
Flowchart
Define and view the navigation of your DVD, Blu-ray Disc, and web DVD projects by using a visual flowchart representation of all points and links. Independent variable zoom functionality streamlines your authoring workflow.
Adobe Photoshop integration
Create DVD and Blu-ray Disc menus in the Photoshop file format using technology built into Encore. Edit menus in Photoshop and see your changes instantly in your Encore project.
Sleek interface for web DVD titles
Create web DVDs that have a sleek playback interface, offering easy-to-use playback controls plus the option to watch HD video in full-screen mode.
Background transcoding
Work more efficiently when transcoding files. Adobe Media Encoder transcodes files in the background, keeping Encore free to focus on authoring tasks. This is particularly important with 4K workflows that normally tax your system.
Third-party encoding integration
Choose the right encoder for the job without sacrificing workflow efficiency. Integrate third-party encoders you already own with the Encore authoring workflow to take advantage of the latest advancements in GPU-accelerated encoding.
Cross-platform projects
Share Encore projects without worrying about platform compatibility. Encore projects can be moved between Windows and Mac platforms freely, without conversion.
Multipage menus
Create a smoother experience for viewers when they are choosing from options across multiple menus. Browsable multipage menus on Blu-ray Disc projects show options across multiple menu pages without interrupting background element playback.
24p support
Maintain the 24p look all the way to output with native 24p project support. Encore supports 24p frame rates for Blu-ray, DVD, and web DVD titles, with correct display of 24p timecode in the timeline.
4K mastering
Take 4K productions directly to high-definition Blu-ray Disc using a workflow that maintains the original 4K content all the way to output. Use Dynamic Link to open Adobe Premiere Pro 4K sequences in Encore without rendering first.
DDP master support
Create replicated discs from Encore using direct DDP master support for DVD discs. The outputted file can then be sent via FTP directly to the mastering facility.
Deliver engaging experiences practically anywhere
Create video optimized for smartphone, tablet, and PC screens. From capture to delivery, use metadata to make assets easier to find in production, create engaging experiences, and make online content easier for audiences to discover through search engines.
Batch encoding in the background
Automate the process of creating multiple encoded versions of your content using the batch features in Adobe Media Encoder. Maximize your productivity by continuing to work while files encode in the background.
Metadata-rich assets for online delivery
Incorporate metadata that makes your content more discoverable online and the viewing experience more engaging. Metadata stays with the assets you create in Creative Suite Production Premium components.
FLV/F4V cue points with name/value pairs
Create FLV/F4V cue points with name/value pairs using markers directly in the timeline. With Adobe Media Encoder, create, check, and adjust cue point information and then use it for further interactive design in Adobe Flash Professional.
Mobile phone and device output
Optimize video for viewing on the latest delivery platforms with Adobe Device Central CS5.5. Find the best settings for encoding as well as information about device capabilities, and then simulate playback on those devices to check quality.
Streamlined encoding
Deliver content in virtually any format with Adobe Media Encoder. Use any combination of sequences and clips, and encode to formats and codecs, such as FLV, F4V, Windows Media, QuickTime, MPEG-2, MPEG-4, H.264, AVC-Intra, and DPX.
Flexible timeline marker controls
Easily control marker attributes. Set Encore chapter markers, URL web links, and FLV cue points, all using a single dialog box.
Edit faster with a robust editing toolset
Boost your productivity with the industry's best cross-platform, native file
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?based workflows. With the 64-bit, GPU-accelerated Adobe Mercury Playback Engine and an unparalleled toolset, Adobe Premiere Pro CS5.5 sets a new standard in editing efficiency.
Multiple Project panels
Display assets in multiple Project panels, each with its own graphical or text view setting. With control over metadata views within the Project panels, organizing and viewing your assets is fast and efficient.
Individualized keyboard shortcuts
Personalize Adobe Premiere Pro by creating multiple keyboard maps for different tasks or to support multiple users. By exporting your own shortcut sets, you can be productive immediately when working on other systems.
Project Manager
Easily archive media, reclaim drive space, and move between offline and online environments. Consolidate projects by selecting and moving actual media used in a project to a single location for archiving and storage management.
Export Frame button
Quickly export a still video frame from the Program or Source Monitor via the Export Frame button without having to initiate an export via Adobe Media Encoder.
Customizable user interface
Adjust the Adobe Premiere Pro interface to fit almost any editing workflow or environment. Arrange the docked interface for multiple monitors, resize all the windows simultaneously, and save configurations as preset workspaces.
In-line search for assets
Find assets within the Project panel quickly using a search field that is updated as you type. Search on individual metadata fields or across them all to display groups of similar items.
Scrolling timeline
Set the timeline to scroll smoothly under a stationary indicator during playback, or adjust it to advance one page as the playback indicator reaches the edge of the window.
Nestable timelines
Manage large projects more easily by editing each section in its own timeline. Place (nest) each timeline inside a master timeline while maintaining full access to every edit.
Multitrack targeting and sync lock controls
Easily control clip placement, saving time and preserving the placement of other clips in the timeline with powerful track targeting options. Choose which tracks remain in sync after ripple and insert edits with sync lock controls.
Clip replacement
Easily replace any clip in the timeline with a new one that preserves the original's attributes. All effects and keyframes are retained, and, if necessary, the new clip is trimmed to fit the duration of the original one.
32-bit internal color processing
Maintain maximum image quality with subtle and dramatic changes to color, contrast, and exposure, free of the banding and artifacts caused by lower bit-depth processing.
Professional internal scopes
Monitor luma and chroma levels on every line with the built-in waveform monitor and vectorscope. Display Waveform IRE information in standard, YCbCr Parade, RGB Parade, or combined modes.
Target output resolution
Set your project to any resolution and work with it throughout production
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Increase productivity with timesaving editing features
Get more done in less time with features that make your work more efficient, whether you
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?re removing gaps between clips, placing effects keyframes, applying a transition to multiple clips, or extending the duration of a clip.
Automatic scene detection for HDV tapes
Use automatic scene detection to create separate clips from HDV tapes.
Find Gaps command
Clean up sequences quickly with commands for finding and removing gaps between clips on the timeline.
Field display settings
Set the Source and Program Monitors to display the first field, second field, or both fields for interlaced footage.
Keyframe and vertical clip snapping
Place effects keyframes precisely. As you move them, keyframes snap to sequence markers, the playhead, clip edges, and other video or audio keyframes. Use vertical snapping to keep clips in sync when moving them between tracks.
Timesaving options with multiple clips
Easily apply a transition to multiple clips using cut and paste, while maintaining destination attributes like duration. Adjust speed, duration, and audio gain, or apply effects to multiple clips simultaneously.
Faster clip pasting and subclip creation
Save time when pasting clips into the timeline. The playhead jumps to the end of a pasted clip so that subsequent pasted clips are placed directly after it. Create subclips by dragging content from the timeline to the Project panel.
Previous zoom-level shortcut
Use smart zoom in the timeline to switch between detailed and global views of your content with one key press. Press to zoom the timeline to show the entire contents of your sequence. Press again to return to the previous zoom level.
Remove All Effects command
Quickly clear all effects from one or multiple selected clips using a single command.
Extend Edit shortcut
Extend the duration of a clip on a target track to the current position on the timeline using an assignable keyboard shortcut.
Manage projects, sequences, and clips efficiently
Keep your projects running smoothly with fast RapidFind search results, clip instances that are updated automatically when you update the asset they reference, nested sequence, immediate playback, and more.
RapidFind search
Type what you're looking for into the RapidFind search box and see updated results as you type. RapidFind is available in the Effects, Project, and Metadata panels and makes finding matching content fast and efficient.
Footage replacement
Update assets in your project quickly as newer versions become available by replacing files in the Project panel. When you replace assets, all clip instances that reference that media are updated automatically.
Per-sequence settings
Mix content freely by assigning different settings to individual sequences. By nesting those sequences into a single master sequence, you can manage assets more easily and quickly create multiple versions of the project.
Immediate Project window playback
Keep your focus on the timeline and get immediate playback from a clip you dragged from the Project window.
Media locations saved in project
Manage projects more efficiently. File location preferences are saved on a per-project basis, making it easy to set up partitions for particular projects.
Individual sequence import
Combine content from multiple projects more easily by choosing any combination of sequences to import.
Individual sequence trimming
Avoid trimming redundant content in the Project Manager with the ability to select any combination of sequences for trimming.
Task-based Project panel configurations
Create workspace configurations using Project panel column configurations optimized for the task at hand.
A/V offline master clip linking
Link an A/V offline master clip to media that has only video or audio present.
Trimmed clip archiving
Archive projects more efficiently. Use the Project Manager to include offline clips in trimmed projects with lower storage requirements.
Gain precise audio control
Take control of your audio with sample-level audio editing, direct waveform scrubbing, and flexible audio channel mapping for offline clips. View audio waveforms in greater detail.
Vertical waveform zoom in the Source Monitor
View audio waveforms in greater detail in the Source Monitor. Zoom both channels independently or together.
Broadcast WAV support
Pass source timecode through to audio applications thanks to Broadcast WAV support for easier linking to externally recorded media and tighter workflows with digital audio workstations such as Pro Tools and Pyramix.
Audio channel mapping for offline clips
Set and adjust audio channel mapping for offline clips at any time. Change batch capture behavior easily by routing source audio channels to various audio track configurations, before or after bringing them into a project.
Audio-only or video-only clip recapture
Change recapture settings for offline clips without having to recapture them first.
Audio level monitoring
View audio levels coming from FireWire devices during capture using the audio level meters panel.
Direct waveform scrubbing
Navigate with precision within the Source Monitor when working with audio-only clips. Use the playhead to scrub the waveform directly.
Video or audio display default setting
Customize display settings by turning video or audio keyframe, opacity, and clip volume display on or off by default.
Track Normalize
Save time by using volume settings to normalize all the clips in a sequence track.
Merge Clips
Easily create subclips that match audio and video from separate sources. The Merge Clips feature supports dual-system sound by allowing high-quality audio to be synced with video shot on a separate device, such as a DSLR or RED camera.
Sample-level audio editing
Adjust audio clips with sample precision up to 1/96,000 of a second. Set precise L- and J-cuts. Eliminate small pops, crackles, and other unwanted audio elements.
Extend options with integrated online services
Speed up editing and collaboration thanks to Adobe Premiere Pro integration with Adobe Story, Acrobat.com, Adobe CS Review, and other CS Live online services.
Direct integration with Adobe Story
Speed up your editing workflow by importing scripts with metadata from Adobe Story, an Adobe CS Live online service, into Adobe Premiere Pro CS5.5. Eliminate hours of routine work using Speech Search and other metadata to quickly find footage.
Powerful Shot List management
Save time using powerful options to break out scenes into multiple clips and camera angles. Import Adobe Story scripts to create complete shot lists in Adobe OnLocation that retain metadata, including dialogue, characters, and more.
Client reviews made simple
Collaborate more efficiently on works in progress using Adobe CS Review, a CS Live online service that allows you to share video sequences for review without burning discs or sending large files back and forth.
Adobe Community Help
Access an online search engine from within Adobe Premiere Pro. Searchable content includes in-depth, product-specific help, plus additional Adobe and third-party content chosen by industry experts.
Acrobat.com integration
Streamline the way you work and collaborate by using Acrobat.com, a CS Live online service1,2. Acrobat.com includes online Workspaces, document sharing and storage, PDF file conversion, web conferencing, and online office applications.
Adobe Premiere Pro CS5.5
What is Adobe Premiere Pro?
Adobe
Premiere
Pro CS5.5 software lets you edit faster with true native format support. Get breakthrough performance on workstations and laptops; streamline collaboration; and boost productivity with an efficient, robust, cross-platform editing workflow.
Experience industry-leading performance
Work smoothly with the enhanced 64-bit Adobe
Mercury Playback Engine, now on workstations and laptops; GPU acceleration; and the ability to adjust playback resolution in the Source or Program Monitor in Adobe Premiere
Pro CS5.5 software.
Mercury Playback Engine
Get amazing performance from the Mercury Playback Engine on both desktops and laptops (Windows
and Mac OS). Natively 64-bit and optimized for modern CPUs, Mercury delivers astounding performance with or without GPU acceleration.
Variable playback resolution
Edit high-resolution projects on lower spec computers with the ability to adjust the playback resolution in the Source or Program Monitor. Separate Playback and Pause resolutions give you more control over monitoring.
GPU-accelerated effects
Speed up your creative workflow by seeing the results of even more effects without having to render them first, thanks to GPU acceleration and the enhanced 64-bit Adobe Mercury Playback Engine, now on workstations and laptops.
Video preview format and resolution settings
Adjust the video preview format and resolution to promote smooth playback when your computer's hardware is unable to play back the full sequence frame size in real time.
Work in real time
Take advantage of GPU-accelerated effects to control frame rate, aspect ratio, field order, alpha channels, pull-down removal, real-time keying, time remapping, transitions, and more.
GPU-accelerated Ultra keyer
Easily achieve complex keys on challenging footage with GPU-accelerated Ultra
, which typically keys in real time (using NVIDIA
graphics cards, depending on system configuration and file types).
GPU-accelerated media processing
Correct issues caused by mismatched media, media with varying types of alpha channels, and more with GPU-accelerated effects that compensate for differences in frame rate, field order, and pixel aspect ratio.
Speed change effects
Create high-quality slow motion or fast motion and play clips backwards using GPU-accelerated time remapping, speed change, and backwards effects.
Interpret Footage
Use the Interpret Footage command before encoding to override automatic interpretation of the frame rate, pixel aspect ratio, field order, or alpha channel settings of items you import into Adobe Media Encoder.
Field options
Eliminate unwanted interlacing artifacts with GPU-accelerated effects that give you control over field order, interlacing, deinterlacing, and flicker removal.
GPU-accelerated transitions
Transition between clips using Additive Dissolve to add the color information from clip B to clip A, and then subtract the color information of clip A from clip B. Get a film-like transition with Film Dissolve.
Blur effects
Quickly add blur to large areas of your clips using GPU-accelerated Fast Blur, create the illusion of motion using Directional Blur, and see the results in real time thanks to GPU acceleration.
Streamline production with a native file-based workflow
Maximize quality and eliminate time-consuming transcoding and rewrapping. Adobe Premiere Pro provides native support for P2; XDCAM EX, HD, and HD50; JVC ProHD, AVCHD, and AVCCAM; DPX; and Canon and Nikon DSLR cameras as well as enhanced RED R3D and Canon XF support.
Native RED EPIC camera support
Edit up to 5K footage shot from RED EPIC
cameras without transcoding or rewrapping, and access RED parameters directly from the enhanced Source Settings dialog box. Download the RED EPIC camera importer for native support in CS5.5.
Expanded RED support
Work natively with RED footage, with support for RED Rocket, Mysterium X
, and the latest Color Science and Firmware for RED ONE
cameras. The Source Settings dialog box gives you full control over RED parameters and allows RMD files to be imported and exported.
Extensive native file-based workflow
Eliminate time-consuming transcoding and rewrapping and maximize quality thanks to native support for P2; XDCAM EX, HD, and HD50; JVC ProHD, AVCHD, and AVCCAM; DPX; and Canon and Nikon DSLR cameras as well as enhanced support for RED R3D, Canon XF, and more.
Native support for Nikon DSLR cameras
Easily import and edit video shot with Nikon D90, D300s, and D3000 DSLR cameras. Native format support preserves the original file's pristine quality by eliminating transcoding and rewrapping, allowing you to start working immediately.
Enhanced Canon XF native support
Preview Canon XF footage in the Media Browser panel and utilize camera metadata throughout your preproduction and post-production workflows. Spanned clips are displayed as a single asset in the Media Browser, reducing clutter.
Panasonic P2 export
Export content in Panasonic P2 format, either to P2 media for use in a P2 workflow or to hard disk for archiving. Choose from DVCPRO HD and AVC-Intra codecs.
Tapeless HDV support
Edit content natively from Sony HDV cameras that record directly to removable media. Use the Media Browser to find clips and organize them using metadata, and then import content directly without transcoding or rewrapping.
Native AVCHD support
Import and natively edit AVCHD content from Sony, Panasonic, and Canon cameras without transcoding or rewrapping the content. Use the Media Browser to browse clips and view metadata
including metadata from Panasonic AVCCAM cameras.
Media Browser panel for file-based workflows
Easily find content on tapeless cameras by viewing all your clips, along with a customizable view of the metadata associated with the content. Open clips and image files in the Source Monitor directly from the Media Browser panel.
Native support for Canon DSLR cameras
Easily import and edit video shot with Canon DSLR cameras, including the EOS 5D Mark II and 7D, using a complete, easy-to-use toolset. Native format support eliminates transcoding and rewrapping, preserving the source file's pristine quality.
Panasonic P2 native support
Natively edit content from Panasonic cameras in DVCPRO, DVCPRO HD, and AVC-Intra formats and across multiple P2 cards. View metadata in the Media Browser, and edit content from the P2 card or transfer it to hard disk for best performance.
Broad Sony XDCAM native format support
Edit all types of Sony XDCAM content natively, without rewrapping or transcoding. Browse and organize clips using the Media Browser. Edit from the SxS card via the camera or card reader (XDCAM EX only), or transfer to hard disk for best performance.
DPX file import and export
Work with DPX frame sequences that include embedded timecode as footage in Adobe Premiere Pro CS5.5. Full control over parameters like black point, bit depth, and log/linear space allows nondestructive changes to be made at any time.
Native AVC-Intra support
Import, play back, and edit AVC-Intra clips natively with no transcoding or rewrapping. A true file-based workflow supports both 50Mbps and 100Mbps bitrates at all common frame rates. The Media Browser lets you view clips directly.
Native support for JVC ProHD
Edit footage shot on JVC ProHD video cameras and stored as either MOV or MP4 files. Native support eliminates time-consuming transcoding or rewrapping and preserves the original pristine quality of the source footage.
Take advantage of broad format support
Import and export major video, audio, and graphic file formats, and combine them all in the Adobe Premiere Pro timeline. Adobe Premiere Pro also supports a wide range of hardware, so you can build the editing system that meets your needs and budget.
Expanded RED support
Work natively with RED footage, with support for RED Rocket, Mysterium X
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, and the latest Color Science and Firmware for RED ONE
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cameras. The Source Settings dialog box gives you full control over RED parameters and allows RMD files to be imported and exported.
Mixed-format timeline support
Combine content from all supported formats in the Adobe Premiere Pro timeline without restrictions. High-quality scaling and flexible footage interpretation rules make it easy to produce exceptional output from mixed-format footage.
Support for all major media types
Import and export major video, audio, and graphic file formats, including FLV, F4V, MPEG-2, QuickTime, Windows Media, AVI, BWF, AIFF, JPEG, PNG, PSD, TIFF, and more.
DPX file support
Use native DPX file import and export to create a 10-bit uncompressed DI workflow. Timecode is preserved throughout import, editing, and export.
Still-image file support
Import still-image files in major formats, including PSD, BMP, GIF, EPS, JPEG, PCX, PICT, PNG, and TIFF. Export in BMP, GIF, TARGA, and TIFF formats.
ASIO compatibility
Record and play back audio through any multichannel audio card or hardware that supports the industry-standard ASIO protocol.
Video hardware support
Choose from a wide range of capture cards and other hardware to build the HD, SD, or DV editing system that meets your needs and budget.
Enjoy the convenience of Adobe integration
Effortlessly move assets between Adobe Premiere Pro and other Adobe applications, including Adobe After Effects
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, Photoshop
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Extended, Illustrator
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Catalyst
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, Adobe Audition
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, and Adobe OnLocation
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Unparalleled Adobe integration
Effortlessly move assets between Adobe Premiere Pro and other Adobe Creative Suite
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Production Premium components
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? Adobe After Effects, Photoshop Extended, Illustrator, Flash Catalyst, and, new in CS5.5, Adobe Audition.
Roundtrip workflows with Adobe Audition
Get a fast, flexible roundtrip audio workflow with Adobe Audition
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CS5.5 software. Pass individual audio clips and multitrack mixes or complete video sequences between Adobe Premiere Pro CS5.5 and Adobe Audition for editing and sweetening.
Direct integration with Adobe Story
Speed up your editing workflow by importing scripts with metadata from Adobe Story, an Adobe CS Live online service,1,2 into Adobe Premiere Pro CS5.5. Eliminate hours of routine work using Speech Search and other metadata to quickly find footage.
Adobe OnLocation integration
Record SD and HD video to hard disk and log metadata while shooting using Adobe OnLocation
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. Transfer content directly to Adobe Premiere Pro, maintaining all metadata and clip information, including in and out points set in Adobe OnLocation.
Dynamic Link
Use Adobe Dynamic Link to open sequences "live" in Adobe Encore
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software without rendering first. Any changes made in Adobe Premiere Pro are automatically reflected in Encore. Native 64-bit support improves Dynamic Link performance.
Adobe After Effects integration
Drag and drop or copy and paste clips and timelines between Adobe Premiere Pro and After Effects. Open complete Adobe Premiere Pro projects, including nested sequences, in After Effects.
Extensive Adobe Photoshop integration
Import Photoshop files that contain video without rendering them first. Control how they look by choosing which layers to import and how to import them. Apply keyframeable Photoshop blend modes to clips on the timeline.
Group clip transfer
Transfer groups of clips to After Effects using a single command. Adobe Premiere Pro re-creates the structure of your clips in an After Effects composition and then imports the composition into the timeline using Dynamic Link.
Adobe Illustrator integration
Open Illustrator files in Adobe Premiere Pro. When you scale an image in Adobe Premiere Pro, the image is continuously rasterized, so image quality remains pristine.
Direct export from Adobe Premiere Pro
Save time by exporting media directly from Adobe Premiere Pro without first adding it to the Adobe Media Encoder queue.
Achieve creative excellence
Realize your creative vision with Adobe Premiere Pro CS 5.5, taking advantage of real-time stereoscopic 3D editing, support for closed captioning, time remapping, precise keyframe controls, and more.
Closed-captioning support
Play back and display 608 and 708 closed captions, synced to your video sequence and viewable in the Program Monitor.
Real-time steroscopic 3D editing
Edit 3D content in real time thanks to 64-bit performance and world-class integration with CineForm Neo 3D, which provides a smoother workflow than Final Cut Pro.
Multicam editing
View multiple-camera shoot tracks, easily sync via timecode, and edit by switching between tracks in real time. Rerecord sections of your edit, make fine editing adjustments, and adjust color across multiple shots, even after editing.
Time remapping
Use high-quality slow motion to create dramatic effects that focus on the action. With a streamlined, on-clip interface, the time remapping feature makes it easy to speed up, slow down, reverse, and hold frames with precision.
Precise keyframe controls
Control audio and video effect parameters using comprehensive keyframe controls. Get precise control using Bezier handles to finesse the shape of parameter curves.
Robust color-correction tools
Use primary and secondary color-correction tools, and see results instantly with GPU acceleration. Match shots; change colors; correct exposure; and modify highlights, midtones, and shadows across clips, sequences, or entire projects.
Integrated titling
Create sophisticated text and graphics titles from scratch, professionally designed templates, or user-defined styles.
Auto-color adjustment
Instantly improve your video image quality with effects like those in Adobe Photoshop, including Auto Color, Auto Contrast, and Shadows/Highlights.
Lighting Effects
Add a spot, directional, or omni light to your video footage. Create multiple lights to see different looks on different parts of a scene.
Animated track-matte workflow
Easily create traveling mattes by applying effects and animation to individual track-matte clips.
Clip and timeline effects
Apply powerful, built-in visual and motion effects to clips. Create custom effects presets. Increase your options with an extensive range of After Effects compatible plug-ins. Get GPU-accelerated real-time feedback for many effects.
Audio keyframing
Create smooth audio crossfades and other audio changes with a minimal number of keyframes. By creating fewer audio keyframes over a given time interval, Adobe Premiere Pro simplifies the editing process.
Collaborate through third-party workflow integration
Work in an open, extensible production environment. Write scripts collaboratively. Efficiently gather feedback from clients and teammates. Easily exchange projects with Final Cut Pro and Avid software, as well as other Adobe software.
Streamlined collaboration
Collaborate more easily thanks to enhanced integration with Final Cut Pro and Avid Media Composer, and with Adobe CS Review, a separate CS Live online service. Save time by background encoding files for CS Review using new presets in Adobe Media Encoder.
Native editing of QuickTime formats
Import and edit all the popular QuickTime formats natively (including Apple ProRes and MOV files captured by Canon 5D and 7D cameras), with full access to clip metadata
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? no transcoding, rewrapping, logging, or transferring required.
Final Cut Pro project import and export
Roundtrip projects between Adobe Premiere Pro and Final Cut Pro without conversion or re-rendering, preserving commonly used effects and transitions. Bring the creative benefits of Adobe tools to any post-production workflow.
Avid NLE project AAF import and export
Use AAF import and export to share projects with Avid NLEs without conversion or re-rendering, preserving commonly used effects and transitions. You can also import and export CMX3600 format Edit Decision Lists (EDLs).
OMF file export
Export your audio in Open Media Framework (OMF) format for interchange with audio workstations. Then import the final audio back into Adobe Premiere Pro and use direct audio channel routing to preserve the final mix.
Get better output faster with Adobe Media Encoder
Create output more quickly for any video format or device, including web, phone, and tablet, with 64-bit Adobe Media Encoder. Use intuitive presets and context menus to configure multiple outputs from Adobe Premiere Pro and batch encode.
Fast, reliable multiscreen delivery
Output your work for computers, smartphones, tablets, and television with Adobe Media Encoder CS5.5. Use intuitive presets and contextual menus to set up sequences once for multiple formats, and batch encode while you keep editing.
Easy presets for popular devices and formats
Save time and encode content more easily by using Adobe Media Encoder CS5.5 presets that help ensure your video looks great on widely used output formats and devices, including mobile devices and HDTV.
Match Sequence Settings
Make encoding settings match the original Adobe Premiere Pro source sequence or After Effects composition. With Match Sequence Settings, you save time by not having to recheck all encoding options even when you aren't changing them.
Drag-and-drop encoding
Drag and drop sequences from Adobe Premiere Pro and compositions from After Effects
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directly into Adobe Media Encoder CS5.5, which can then encode them immediately. This saves many steps compared with Adobe Media Encoder CS5.
Enhanced watch folder workflow
Set up Adobe Media Encoder CS5.5 to watch a folder. Automatically encode files arriving in the folder to a format you specify. Multiple watch folders can encode to different formats and to the same destination folder.
Improved user interface and workflow
Take advantage of a clearer user interface, new presets, and new contextual menus that improve your Adobe Media Encoder workflow. Expand Queue items to check formats, progress, and encoding settings. Monitor job status in the new Watch Folders section.
Metadata output templates
Preserve metadata in Adobe Media Encoder output to make production more efficient and enhance usability, or clear metadata before output to protect confidential production data before distributing content to external audiences.
Bitrate based on source frame size
Help ensure video looks great on screens of all sizes by automatically setting the encoding bitrate level based on source (instead of destination) frame dimensions in Adobe Media Encoder for selected Adobe Flash and Blu-ray Disc output formats.
Interpret Footage
Use the Interpret Footage command before encoding to override automatic interpretation of the frame rate, pixel aspect ratio, field order, or alpha channel settings of items you import into Adobe Media Encoder.
Crop and trim control
Easily crop the frame size and trim the in and out points of a clip or sequence in Adobe Media Encoder.
Automatic still image sequencing
Automatically encode still images as a video sequence. When you import a numbered series of still images into Adobe Media Encoder CS5.5, it intelligently recognizes them as stills and offers to encode them as one video sequence.
XMP cue points from metadata
Add XMP cue points in Adobe Media Encoder read from metadata in FLV or F4V source files, as well as manually prior to encoding.
Audible alerts when jobs are completed
Hear alerts when Adobe Media Encoder finishes jobs in the background, so you can keep working without having to watch the queue. Different sounds indicate whether jobs have been completed successfully or with errors.
Settings Summary
Get more visual feedback using the Settings Summary dialog box in Adobe Media Encoder. Show information for output and source content, and use tool tips to see the output settings for items being encoded.
Adobe Media Encoder CS Review presets
Save time with new Adobe Media Encoder presets that are optimized for output to Adobe CS Review, a CS Live online service.
Benefit from an end-to-end metadata workflow
Make the most of your metadata, whether you
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?re turning spoken dialogue into written transcripts with RapidFind, synchronizing scripts to footage, or finding clips with human faces. Customize the way metadata is displayed to match your workflow.
Speech Analysis
Turn spoken dialogue into timecode-accurate transcripts. Use RapidFind to jump to a specific area by searching for keywords within the dialogue, or even cut video based on the transcript. Reference scripts, such as an Adobe Story script, increase accuracy.
Synchronized footage
Use Speech Analysis to synchronize your scripts to footage, and then edit based on the dialogue transcript. Download Speech Analysis Models that allow you to convert spoken words into text from many languages.
Face detection
Rapidly find interview sound bites without having to play through each clip in your project. Run the Content Analysis process on clips in your project, and then use the search tool to find clips with human faces in them.
Metadata views in the Project panel
Get immediate access to metadata that is important to your production. Customize and save the way XMP metadata is displayed in the Project panel, with control over individual fields and the ability to import custom metadata schemas.
Metadata panel
View and edit metadata for selected items using the Metadata panel. Control how individual fields are displayed, customize schemas, apply changes to selected files, and save configurations for later use. Locate metadata fast with RapidFind.
Be more productive thanks to an efficient metadata-driven workflow enabled by Adobe OnLocation
Take control of your footage with powerful shot logging and management features and the fast, intuitive Adobe OnLocation interface. Easily place comment markers during recording, and manage metadata across assets.
File browsing from disk
Find the files you need quickly by opening any supported media files directly in the Adobe OnLocation Monitor window. Play and scrub files, and add in and out points using the fast, intuitive Adobe OnLocation interface.
Easy access to Take and Shot recording
Switch between Take and Shot recording modes using a dedicated control in the Shot List that provides immediate visual confirmation of the current mode.
Custom metadata schemas
Promote consistent logging by multiple users, and across productions, by importing precreated metadata schema files that include specific field values.
Powerful Shot List management
Save time using powerful options to break out scenes into multiple clips and camera angles. Import Adobe Story scripts to create complete Shot Lists in Adobe OnLocation that retain metadata, including dialogue, characters, and more.
Tapeless recording and logging
Use the powerful logging options in Adobe OnLocation with tapeless cameras: Tell Adobe OnLocation which shot is recording and log comments. When the tapeless clips are imported, the information is automatically merged.
Easy comment marker placement
Help ensure the accuracy of comment markers you make during recording by dragging and dropping them or by entering exact timecode values. This makes it easy to review specific parts of the recording while still at the shoot.
Timesaving XMP metadata
Speed up your post-production workflow with metadata acquired during preproduction and production.
Speed up video capture and editing with Adobe OnLocation
Accomplish more while you
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?re recording or importing footage. Log live action accurately while recording, and analyze imported files quickly. Check the contents of tapeless camera media without importing it, and browse project contents in the Media Browser.
Professional on-set monitoring
Maximize camera image quality during shoots by using Adobe OnLocation to quickly calibrate your camera, check levels, and monitor signals. The virtual waveform monitor and vectorscope help you avoid problems and improve quality.
Imported file scan and analysis
Analyze imported files with the same alert system used during live disk recording. Adobe OnLocation quickly scans imported media for problems with audio pops and clipping and video overbrights.
TurboComments
While recording, add frequently used words
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? cast names and so on
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? with a single key press to log live action accurately and efficiently. Adobe OnLocation lets you store up to nine comments with shortcuts for timecode-accurate recall.
Comment marker list
View and edit the comment markers for each clip in your project using a sortable list view that makes it easy to find specific logged issues and view them in the Adobe OnLocation Monitor window.
Poster frames
Find clips visually more efficiently by assigning a poster frame for each clip.
Camera browsing without importing
Use Adobe OnLocation to check the contents of file-based camera media without having to copy to the hard drive or import content into the Adobe OnLocation project.
Project browsing in the Media Browser
Find media used in Adobe OnLocation projects without opening the projects. View the project contents in the Media Browser as if the project were a folder of media, and then drag and drop files directly into the current project.
File-based camera support
Work with tapeless cameras using all the Adobe OnLocation
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capabilities for on-set logging and clip analysis. Import Sony XDCAM, XDCAM HD, XDCAM EX, Panasonic P2, AVCHD, AVC-Intra, and HDV media without transcoding or rewrapping.
Timecode-accurate playhead placement
Position the playhead exactly where you need it using timecode controls that allow scrubbing of timecode or direct entry of specific values.
Audible playback while scrubbing
Find the section you need more quickly by listening to audio during scrubbing and frame advance.
Recording and logging without wires
Add comments and metadata to clips being recorded on a tapeless camera that
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?s not connected to Adobe OnLocation. Specify which shot is recording and log comments. Data is automatically merged with the corresponding clips on import.
Sub-project export
Export the takes that are tagged "wanted" in the Adobe OnLocation Shot List. Access the sub-project's folder from the Media Browser panel in Adobe Premiere Pro. Clips with in and out points form a rough cut when added to a sequence.
Convenient missing media relinking
Reconnect broken file references in your Adobe OnLocation project quickly and easily.
Shot List publishing
Keep everyone up to date during production by publishing your Adobe OnLocation Shot List as a CSV file that can be viewed on a variety of software and devices, including iPod touch and iPhone.
Direct-to-disk recording
Bypass tape completely during shooting with Adobe OnLocation. Connect your camera to your laptop and start recording directly to hard disk. Review footage immediately, and then quickly bring it into Adobe Premiere Pro for editing.
Realize your vision with powerful Encore authoring tools
Send Adobe Premiere Pro projects directly to Adobe Encore without rendering. In Encore, efficiently create DVDs, Blu-ray discs, and web DVDs, all from a single project. Use flowcharts to define and view the navigation of your project.
Integrated search for web DVD titles
Offer viewers a more engaging experience with the ability to search by keyword within a web DVD. Encore uses metadata from speech analysis, subtitles, and menu and button names to make web DVD titles automatically searchable.
Single project, multiformat delivery
Efficiently create DVDs, Blu-ray discs, and web DVDs, all from a single Encore project file. With support for pop-up menus and subtitles, viewers of web DVD titles enjoy all the benefits of the Blu-ray experience delivered online.
Dynamic Link integration
Send your Adobe Premiere Pro projects directly to Encore without rendering first. Changes in the timeline are reflected immediately in Encore thanks to Adobe Dynamic Link.
Flowchart
Define and view the navigation of your DVD, Blu-ray Disc, and web DVD projects by using a visual flowchart representation of all points and links. Independent variable zoom functionality streamlines your authoring workflow.
Adobe Photoshop integration
Create DVD and Blu-ray Disc menus in the Photoshop file format using technology built into Encore. Edit menus in Photoshop and see your changes instantly in your Encore project.
Sleek interface for web DVD titles
Create web DVDs that have a sleek playback interface, offering easy-to-use playback controls plus the option to watch HD video in full-screen mode.
Background transcoding
Work more efficiently when transcoding files. Adobe Media Encoder transcodes files in the background, keeping Encore free to focus on authoring tasks. This is particularly important with 4K workflows that normally tax your system.
Third-party encoding integration
Choose the right encoder for the job without sacrificing workflow efficiency. Integrate third-party encoders you already own with the Encore authoring workflow to take advantage of the latest advancements in GPU-accelerated encoding.
Cross-platform projects
Share Encore projects without worrying about platform compatibility. Encore projects can be moved between Windows and Mac platforms freely, without conversion.
Multipage menus
Create a smoother experience for viewers when they are choosing from options across multiple menus. Browsable multipage menus on Blu-ray Disc projects show options across multiple menu pages without interrupting background element playback.
24p support
Maintain the 24p look all the way to output with native 24p project support. Encore supports 24p frame rates for Blu-ray, DVD, and web DVD titles, with correct display of 24p timecode in the timeline.
4K mastering
Take 4K productions directly to high-definition Blu-ray Disc using a workflow that maintains the original 4K content all the way to output. Use Dynamic Link to open Adobe Premiere Pro 4K sequences in Encore without rendering first.
DDP master support
Create replicated discs from Encore using direct DDP master support for DVD discs. The outputted file can then be sent via FTP directly to the mastering facility.
Deliver engaging experiences practically anywhere
Create video optimized for smartphone, tablet, and PC screens. From capture to delivery, use metadata to make assets easier to find in production, create engaging experiences, and make online content easier for audiences to discover through search engines.
Batch encoding in the background
Automate the process of creating multiple encoded versions of your content using the batch features in Adobe Media Encoder. Maximize your productivity by continuing to work while files encode in the background.
Metadata-rich assets for online delivery
Incorporate metadata that makes your content more discoverable online and the viewing experience more engaging. Metadata stays with the assets you create in Creative Suite Production Premium components.
FLV/F4V cue points with name/value pairs
Create FLV/F4V cue points with name/value pairs using markers directly in the timeline. With Adobe Media Encoder, create, check, and adjust cue point information and then use it for further interactive design in Adobe Flash Professional.
Mobile phone and device output
Optimize video for viewing on the latest delivery platforms with Adobe Device Central CS5.5. Find the best settings for encoding as well as information about device capabilities, and then simulate playback on those devices to check quality.
Streamlined encoding
Deliver content in virtually any format with Adobe Media Encoder. Use any combination of sequences and clips, and encode to formats and codecs, such as FLV, F4V, Windows Media, QuickTime, MPEG-2, MPEG-4, H.264, AVC-Intra, and DPX.
Flexible timeline marker controls
Easily control marker attributes. Set Encore chapter markers, URL web links, and FLV cue points, all using a single dialog box.
Edit faster with a robust editing toolset
Boost your productivity with the industry's best cross-platform, native file
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?based workflows. With the 64-bit, GPU-accelerated Adobe Mercury Playback Engine and an unparalleled toolset, Adobe Premiere Pro CS5.5 sets a new standard in editing efficiency.
Multiple Project panels
Display assets in multiple Project panels, each with its own graphical or text view setting. With control over metadata views within the Project panels, organizing and viewing your assets is fast and efficient.
Individualized keyboard shortcuts
Personalize Adobe Premiere Pro by creating multiple keyboard maps for different tasks or to support multiple users. By exporting your own shortcut sets, you can be productive immediately when working on other systems.
Project Manager
Easily archive media, reclaim drive space, and move between offline and online environments. Consolidate projects by selecting and moving actual media used in a project to a single location for archiving and storage management.
Export Frame button
Quickly export a still video frame from the Program or Source Monitor via the Export Frame button without having to initiate an export via Adobe Media Encoder.
Customizable user interface
Adjust the Adobe Premiere Pro interface to fit almost any editing workflow or environment. Arrange the docked interface for multiple monitors, resize all the windows simultaneously, and save configurations as preset workspaces.
In-line search for assets
Find assets within the Project panel quickly using a search field that is updated as you type. Search on individual metadata fields or across them all to display groups of similar items.
Scrolling timeline
Set the timeline to scroll smoothly under a stationary indicator during playback, or adjust it to advance one page as the playback indicator reaches the edge of the window.
Nestable timelines
Manage large projects more easily by editing each section in its own timeline. Place (nest) each timeline inside a master timeline while maintaining full access to every edit.
Multitrack targeting and sync lock controls
Easily control clip placement, saving time and preserving the placement of other clips in the timeline with powerful track targeting options. Choose which tracks remain in sync after ripple and insert edits with sync lock controls.
Clip replacement
Easily replace any clip in the timeline with a new one that preserves the original's attributes. All effects and keyframes are retained, and, if necessary, the new clip is trimmed to fit the duration of the original one.
32-bit internal color processing
Maintain maximum image quality with subtle and dramatic changes to color, contrast, and exposure, free of the banding and artifacts caused by lower bit-depth processing.
Professional internal scopes
Monitor luma and chroma levels on every line with the built-in waveform monitor and vectorscope. Display Waveform IRE information in standard, YCbCr Parade, RGB Parade, or combined modes.
Target output resolution
Set your project to any resolution and work with it throughout production
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? great for creating video banner ads, content for small screens, and more.
Increase productivity with timesaving editing features
Get more done in less time with features that make your work more efficient, whether you
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?re removing gaps between clips, placing effects keyframes, applying a transition to multiple clips, or extending the duration of a clip.
Automatic scene detection for HDV tapes
Use automatic scene detection to create separate clips from HDV tapes.
Find Gaps command
Clean up sequences quickly with commands for finding and removing gaps between clips on the timeline.
Field display settings
Set the Source and Program Monitors to display the first field, second field, or both fields for interlaced footage.
Keyframe and vertical clip snapping
Place effects keyframes precisely. As you move them, keyframes snap to sequence markers, the playhead, clip edges, and other video or audio keyframes. Use vertical snapping to keep clips in sync when moving them between tracks.
Timesaving options with multiple clips
Easily apply a transition to multiple clips using cut and paste, while maintaining destination attributes like duration. Adjust speed, duration, and audio gain, or apply effects to multiple clips simultaneously.
Faster clip pasting and subclip creation
Save time when pasting clips into the timeline. The playhead jumps to the end of a pasted clip so that subsequent pasted clips are placed directly after it. Create subclips by dragging content from the timeline to the Project panel.
Previous zoom-level shortcut
Use smart zoom in the timeline to switch between detailed and global views of your content with one key press. Press to zoom the timeline to show the entire contents of your sequence. Press again to return to the previous zoom level.
Remove All Effects command
Quickly clear all effects from one or multiple selected clips using a single command.
Extend Edit shortcut
Extend the duration of a clip on a target track to the current position on the timeline using an assignable keyboard shortcut.
Manage projects, sequences, and clips efficiently
Keep your projects running smoothly with fast RapidFind search results, clip instances that are updated automatically when you update the asset they reference, nested sequence, immediate playback, and more.
RapidFind search
Type what you're looking for into the RapidFind search box and see updated results as you type. RapidFind is available in the Effects, Project, and Metadata panels and makes finding matching content fast and efficient.
Footage replacement
Update assets in your project quickly as newer versions become available by replacing files in the Project panel. When you replace assets, all clip instances that reference that media are updated automatically.
Per-sequence settings
Mix content freely by assigning different settings to individual sequences. By nesting those sequences into a single master sequence, you can manage assets more easily and quickly create multiple versions of the project.
Immediate Project window playback
Keep your focus on the timeline and get immediate playback from a clip you dragged from the Project window.
Media locations saved in project
Manage projects more efficiently. File location preferences are saved on a per-project basis, making it easy to set up partitions for particular projects.
Individual sequence import
Combine content from multiple projects more easily by choosing any combination of sequences to import.
Individual sequence trimming
Avoid trimming redundant content in the Project Manager with the ability to select any combination of sequences for trimming.
Task-based Project panel configurations
Create workspace configurations using Project panel column configurations optimized for the task at hand.
A/V offline master clip linking
Link an A/V offline master clip to media that has only video or audio present.
Trimmed clip archiving
Archive projects more efficiently. Use the Project Manager to include offline clips in trimmed projects with lower storage requirements.
Gain precise audio control
Take control of your audio with sample-level audio editing, direct waveform scrubbing, and flexible audio channel mapping for offline clips. View audio waveforms in greater detail.
Vertical waveform zoom in the Source Monitor
View audio waveforms in greater detail in the Source Monitor. Zoom both channels independently or together.
Broadcast WAV support
Pass source timecode through to audio applications thanks to Broadcast WAV support for easier linking to externally recorded media and tighter workflows with digital audio workstations such as Pro Tools and Pyramix.
Audio channel mapping for offline clips
Set and adjust audio channel mapping for offline clips at any time. Change batch capture behavior easily by routing source audio channels to various audio track configurations, before or after bringing them into a project.
Audio-only or video-only clip recapture
Change recapture settings for offline clips without having to recapture them first.
Audio level monitoring
View audio levels coming from FireWire devices during capture using the audio level meters panel.
Direct waveform scrubbing
Navigate with precision within the Source Monitor when working with audio-only clips. Use the playhead to scrub the waveform directly.
Video or audio display default setting
Customize display settings by turning video or audio keyframe, opacity, and clip volume display on or off by default.
Track Normalize
Save time by using volume settings to normalize all the clips in a sequence track.
Merge Clips
Easily create subclips that match audio and video from separate sources. The Merge Clips feature supports dual-system sound by allowing high-quality audio to be synced with video shot on a separate device, such as a DSLR or RED camera.
Sample-level audio editing
Adjust audio clips with sample precision up to 1/96,000 of a second. Set precise L- and J-cuts. Eliminate small pops, crackles, and other unwanted audio elements.
Extend options with integrated online services
Speed up editing and collaboration thanks to Adobe Premiere Pro integration with Adobe Story, Acrobat.com, Adobe CS Review, and other CS Live online services.
Direct integration with Adobe Story
Speed up your editing workflow by importing scripts with metadata from Adobe Story, an Adobe CS Live online service, into Adobe Premiere Pro CS5.5. Eliminate hours of routine work using Speech Search and other metadata to quickly find footage.
Powerful Shot List management
Save time using powerful options to break out scenes into multiple clips and camera angles. Import Adobe Story scripts to create complete shot lists in Adobe OnLocation that retain metadata, including dialogue, characters, and more.
Client reviews made simple
Collaborate more efficiently on works in progress using Adobe CS Review, a CS Live online service that allows you to share video sequences for review without burning discs or sending large files back and forth.
Adobe Community Help
Access an online search engine from within Adobe Premiere Pro. Searchable content includes in-depth, product-specific help, plus additional Adobe and third-party content chosen by industry experts.
Acrobat.com integration
Streamline the way you work and collaborate by using Acrobat.com, a CS Live online service1,2. Acrobat.com includes online Workspaces, document sharing and storage, PDF file conversion, web conferencing, and online office applications.
EAN: 4011377020986 - manufacturer-number: 3704REGHE - Dimming actuator bus system 20...210W Bus system EIB/KNX, Other bus systems None, Model Dimming actuator, Mounting method DRA, Width in number of modular spacings 8, Bus connection included, Local operation/hand operation, With LED indication, Number of outputs 4, Output power from/to 20 ... 210W, Type of load Universal, Degree of protection (IP) IP20, Blueway-Classification Component for energy saving solution, Universal EIB KNX dimming actuator 4-fold, MDRC (With manual operating mode and status LED) The universal dimming actuator (4x210 VA, min. load 20 VA) receives telegrams for switching or dimming purposes. It can work with the principle of trailing or leading edge control. That means either low voltage halogen lamps with TRONIC transformer or conventional (inductive) transformer can be controlled. The max. capacity can be extended by using power amplifiers (see main catalogue). Depending on the parameter it is possible to activate various additional functions. Note:After registration and login, all costs (also discounts) arising for you will be clearly shown in the cart (over the icon cart) depending on the payment methods, shipping methods and order amounts you have selected as well as your country and address. - 3704 REGHE
EAN: 4011377137653 - manufacturer-number: 3602REG - Dimming actuator bus system 300...50W Bus system EIB/KNX, Model Dimming actuator, Mounting method DRA, Width in number of modular spacings 4, Bus connection included, Number of outputs 2, Output power from/to 300 ... 50W, Type of load Universal, Degree of protection (IP) IP20, Blueway-Classification Component for energy saving solution, The universal dimming actuator receives telegrams for switching or dimming purposes. It can work with the principle of trailing or leading edge control. That means either low voltage halogen lamps with TRONIC transformer or conventional (inductive) transformer can be controlled. The max. capacity can be extended by using power amplifiers (see main catalogue). Depending on the parameter it is possible to activate various additional functions. Technical data Supply Voltage: 24 V DC (+6 V / -4 V) Power consumption: 150 mW Connection: instabus connection block Output Number: 2 Performance: Power MOS-FET, trailing edge or leading edge Rated voltage: 230 V AC ± 10 %, 50/60 Hz Rated current: 2 x 1.1 A Min. Capacity: 50 W per channel (if channel ist loaded) Symmetrical capacity: in total 50 to 600 W / VA 50 to 300 W ohmic load 50 to 300 W high voltage halogen load 50 to 300 W LV halogen with conventional transformer 50 to 300 W LV halogen with TRONIC transformer Unsymmetrical capacity: · both channels loaded with max. 600 W/VA, with single load max. 400 W/VA per channel: i.e. channel 1: 350 W (ohmic load) channel 2: 250 VA (TRONIC load) · only one channel is used: max. 400 W/VA Connection: clamp bar Protection: IP 20 Behaviour at voltage drop only bus voltage: dimming actuator switches off only mains: dimming actuator switches off bus and mains: dimming actuator switches off Behaviour at voltage recovery only bus voltage: dependent on parameters only mains: device controls brightness according to object value bus and mains: dependent on parameters Operation temp.: -5°C to +45°C Operation temp.: -25°C to +75°C Mounting: on DIN rail 35 x 7.5Note:After registration and login, all costs (also discounts) arising for you will be clearly shown in the cart (over the icon cart) depending on the payment methods, shipping methods and order amounts you have selected as well as your country and address. - 3602 REG
The Intel
Xeon
processor 3000 series-based platforms unleash the computing power of Intel
Xeon
processors. Based on the next-generation Intel
microarchitecture, codenamed Nehalem, these processors provide your business with exceptional performance and power efficiency at a very affordable cost.
The Intel Xeon 3000 processor-based servers protect critical business information and offer the performance and headroom to make employees and businesses more productive, making them ideal for small and medium business owners looking for ways to support rapid business growth on small technology budgets.
Designed for needs of entry-level servers, the Intel
Xeon
processor 3400 series adapts to application behavior by automatically adjusting processing power to deliver maximum performance, protecting valuable assets from data corruption and loss, improving productivity with business growth.
DDR3 memory support up to 1333 MHz
- Supports up to thirty-two GB dual-channel DDR3 Error Correcting Code (ECC) memory which checks and corrects system memory errors.
- Flexible memory configuration options with support for up to four non-ECC or ECC unregistered DIMMs or up to six ECC Registered DIMMs.
Integrated PCI-Express 2.0 I/O
- Integrated serial I/O technology provides a direct connection between the processor and PCI Express component/adapters with bandwidth up to 8 GB/s on PCI-Express 2.0 x16 interface;
- The PCI-Express 2.0 x16 interface can be bifurcated to either two x8 PCI Express or four x4 PCI-Express interfaces for maximum design flexibility.
PCI-Express offers higher bandwidth, lower latency, and fewer I/O bottlenecks than PCI and PCI-X.
Intelligent next-generation Intel
microarchitecture adapts to the workload, automatically increasing processor frequency for greater performance.
Better performance enabled by Intel
Turbo Boost Technology, increasing processor frequency and enabling faster speeds when conditions allow
Lower energy costs while minimizing impact to performance by automatically putting processor and memory into the lowest available power state.
Power to the individual processor cores is reduced to near-zero power, independent of other operating cores.
A suite of virtualization-specific hardware enhancements to Intel
processors, chipsets, and I/O devices to increase application reliability, security and overall system performance
Enhancements to Intel Virtualization Technology performance that further speeds up virtual machine transition (entry/exit) times. Supports hardware assist for I/O virtualization using Intel Virtualization Technology for Directed I/O (Intel
VT-d).
Flexibility for 64-bit and 32-bit applications and operating systems.
The Intel
Xeon
processor 3000 series-based platforms unleash the computing power of Intel
Xeon
processors. Based on the next-generation Intel
microarchitecture, codenamed Nehalem, these processors provide your business with exceptional performance and power efficiency at a very affordable cost.
The Intel Xeon 3000 processor-based servers protect critical business information and offer the performance and headroom to make employees and businesses more productive, making them ideal for small and medium business owners looking for ways to support rapid business growth on small technology budgets.
Designed for needs of entry-level servers, the Intel
Xeon
processor 3400 series adapts to application behavior by automatically adjusting processing power to deliver maximum performance, protecting valuable assets from data corruption and loss, improving productivity with business growth.
DDR3 memory support up to 1333 MHz
- Supports up to thirty-two GB dual-channel DDR3 Error Correcting Code (ECC) memory which checks and corrects system memory errors;
- Flexible memory configuration options with support for up to four non-ECC or ECC unregistered DIMMs or up to six ECC Registered DIMMs.
Integrated PCI-Express 2.0 I/O,
- Integrated serial I/O technology provides a direct connection between the processor and PCI Express component/adapters with bandwidth up to 8 GB/s on PCI-Express 2.0 x16 interface;
- The PCI-Express 2.0 x16 interface can be bifurcated to either two x8 PCI Express or four x4 PCI-Express interfaces for maximum design flexibility.
PCI-Express offers higher bandwidth, lower latency, and fewer I/O bottlenecks than PCI and PCI-X.
Intelligent next-generation Intel
microarchitecture adapts to the workload, automatically increasing processor frequency for greater performance.
Better performance enabled by Intel
Turbo Boost Technology, increasing processor frequency and enabling faster speeds when conditions allow.
Lower energy costs while minimizing impact to performance by automatically putting processor and memory into the lowest available power state.
Power to the individual processor cores is reduced to near-zero power, independent of other operating cores.
A suite of virtualization-specific hardware enhancements to Intel
processors, chipsets, and I/O devices to increase application reliability, security and overall system performance
Enhancements to Intel Virtualization Technology performance that further speeds up virtual machine transition (entry/exit) times. Supports hardware assist for I/O virtualization using Intel Virtualization Technology for Directed I/O (Intel
VT-d).
Flexibility for 64-bit and 32-bit applications and operating systems.
Is the Internet erasing national borders? Will the future of the Net be set by Internet engineers, rogue programmers, the United Nations, or powerful countries? Who's really in control of what's happening on the Net? In this provocative new book, Jack Goldsmith and Tim Wu tell the fascinating story of the Internet's challenge to governmental rule in the 1990s, and the ensuing battles with governments around the world. It's a book about the fate of one idea--that the Internet might liberate us forever from government, borders, and even our physical selves. We learn of Google's struggles with the French government and Yahoo's capitulation to the Chinese regime; of how the European Union sets privacy standards on the Net for the entire world; and of eBay's struggles with fraud and how it slowly learned to trust the FBI. In a decade of events the original vision is uprooted, as governments time and time again assert their power to direct the future of the Internet. The destiny of
Is the Internet erasing national borders? Will the future of the Net be set by Internet engineers, rogue programmers, the United Nations, or powerful countries? Who's really in control of what's happening on the Net? In this provocative new book, Jack Goldsmith and Tim Wu tell the fascinating story of the Internet's challenge to governmental rule in the 1990s, and the ensuing battles with governments around the world. It's a book about the fate of one idea--that the Internet might liberate us forever from government, borders, and even our physical selves. We learn of Google's struggles with the French government and Yahoo's capitulation to the Chinese regime; of how the European Union sets privacy standards on the Net for the entire world; and of eBay's struggles with fraud and how it slowly learned to trust the FBI. In a decade of events the original vision is uprooted, as governments time and time again assert their power to direct the future of the Internet. The destiny of
Electronic bill presentment and payment (EBPP) is revolutionizing the billing process by offering online and real time presentment of bill content and payment choices. EBPP is the easy way of viewing billing status, remittance items, and presenting balances using a universal browser from any location. In contrast to paper-based bills, electronic billing enables service providers to combine billing with advanced customer care and improved customer relationship management. Electronic Bill Presentment and Payment presents the essentials about this new way of viewing and paying bills. The author defines basic business models, such as biller direct and various consolidator model options, allocates the right tools to each of the models, and differentiates between the needs of principal industries. The text describes how to build and implement value added capabilities such as personalization, up-selling, online dispute management, and better control of the accounts payable and receivable process can significantly improve customer care and customer relationship management on behalf of service providers.About the Author:Kornel Terplan is a telecommunication expert with more than 30 years of highly successful multi-national consulting experience. He has provided consulting, training, and product development services to over 75 national and international corporations on four continents. He has served on the editorial board for over 140 articles, 22 books, and 115 papers. Dr. Terplan has designed five network management related courses and conducted over 80 seminar presentations in 15 countries.
Take office organization to new levels of productivity with the world
s No. 1 desktop document management software. PaperPort Professional 14 combines fast, easy scanning with powerful PDF creation for simplified management of all your documents.
And now, PaperPort Anywhere uses the cloud to its full potential
to deliver files easily and securely to users of Windows and Macintosh personal computers, netbooks, tablets, and smart phones. PaperPort Anywhere extends the same concept to any computing device with a browser, giving you a better way to find, edit, and share files and documents.
PaperPort Anywhere: Access your Documents Anytime, Anywhere Using any Device
PaperPort Anywhere, our new service for secure document access, provides the benefits of your own document website in the cloud, while delivering free mobile applications with PaperPort
s proven capabilities for desktop document management on the PC.
PaperPort Anywhere connects seamlessly to your PaperPort desktop to deliver anytime-anywhere access to your most important folders, files, documents, and photos via the convenience of popular web browsers for PC and Mac. You can manage your free PaperPort Anywhere account
up to 1 GB of storage with more available
from home, on the road, or wherever it is most convenient for you.
With PaperPort Anywhere, you can search and view documents by thumbnail, snippets, or list; browse PaperPort 14 desktop folders; create and manage cloud-only folders, upload new files from any computer and much more.
PaperPort Anywhere: Intelligent Mobile Applications for Users on the Go
To support users who are looking to manage documents using their mobile devices, PaperPort 14 in conjunction with PaperPort Anywhere now provides mobile applications for iPhone, iPad, and Android devices. Using these mobile applications, you can browse by folder, search by document content or name, view documents, and take pictures and upload documents
all from the convenience of a mobile device.
PaperPort Professional 14 Desktop Enhancements
In addition, PaperPort 14 also delivers many significant new desktop enhancements, including:
- PaperPort Anywhere Sync Connector: The connection from the PaperPort desktop to the PaperPort Anywhere service is achieved by way of the PaperPort Anywhere Sync Connector. This Windows system tray application provides the capability for you to sign-in to the PaperPort Anywhere service from the PaperPort desktop, monitor storage usage, and control which folders you want synchronized across the cloud and mobile applications.
- The Nuance Cloud Connector application: Now you can gain access to a number of cloud services, including Microsoft Live SkyDrive, Google Docs, Box.net, and many more. Plus, files are accessed in the PaperPort folder directory, so you can scan, stack, or unstack PDF files, and create PDF files directly in the cloud.
- Evernote
Send To
Connector: Drag-and-drop files to the Evernote Send To Connector, create a new note or add the document to an existing note. You can also right click on the Evernote connector and get files attached to any note so they are copied to the PaperPort desktop.
- Enhanced network folder support: PaperPort 14 now takes advantage of fast, reliable thumbnail viewing of documents stored on shared network folders. Additionally, PaperPort 14 locks files in use over the network to prevent problems that may occur when more than one person tries to view or modify the same file.
- Windows file and folder options: In PaperPort 14, the Windows Context menu is supported by right-clicking on any file, so you can access Windows or other software and perform key tasks, including compressing and uncompressing ZIP files.
- Scanning improvements: We
ve enhanced PaperPort
s scanning capabilities in PaperPort 14, so scanned color documents using PDF-MRC compression are now 62% smaller. Other time saving highlights include scan and open a document with one press of a button, create and save default custom file names, and create PDF/A directly from your scanner.
- New workspace options for greater productivity: With PaperPort 14, there
s no need to remember where you put a recently scanned or opened file. New buttons have been added for
recently scanned
and
recently opened
documents, so you can quickly jump back to a folder that contains a recently scanned or opened document.
- Folder notes improvements: Now you can right click on any folder in the folder directory and get an option to add notes directly to that particular folder. This enhancement is useful for applying information to PDF documents that are common to all files in a particular file, such as contact information (e.g., name, address, telephone number); project or customer IDs; or numbers, reminders, document descriptions, and more.
- Improved desktop thumbnails for PDF: In PaperPort 14 the PDF document thumbnails offer more information about PDF documents to save you time and focus on more important tasks. A large information icon now appears in the upper left-hand corner of PDF document thumbnails, indicating the file contains keywords and descriptive text. Hover over the icon, and it will display the information so you don
t have to open the file.
Document management your way
PaperPort provides a single way to scan paper, create PDF files, and access, view, edit, and convert your files on your PC. PaperPort Anywhere, included free, extends this power to any device with a browser plus apps for iPhone, iPad, and Android devices, giving you the ultimate document access solution.
Reduce waste, conserve energy
PaperPort is a green solution. Use it to scan, convert, organize, repurpose, and share PDF documents across the enterprise. End your reliance on printing, faxing, and mailing practices that have harmful effects on the environment
and your bottom line.
Create and combine PDF Files
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This edited volume explores political violence and genocide in Latin America during the Cold War, examining this in light of the United States' hegemonic position on the continent. Using case studies based on the regimes of Argentina, Chile, Guatemala, Peru and Uruguay, this book shows how U.S foreign policy -- far from promoting long term political stability and democratic institutions -- has actually undermined them. The first part of the book is an inquiry into the larger historical context in which the development of an unequal power relationship between the United States and Latin American and Caribbean nations evolved after the proliferation of the Monroe Doctrine. The region came to be seen as a contested terrain in the East-West conflict of the Cold War, and a new US-inspired ideology, the 'National Security Doctrine', was used to justify military operations and the hunting down of individuals and groups labelled as 'communists'.Following on from this historical context, the book then provides an analysis of the mechanisms of state and genocidal violence is offered, demonstrating how in order to get to know the internal enemy, national armies relied on US intelligence training and economic aid to carry out their surveillance campaigns. This book will be of interest to students of Latin American politics, US foreign policy, human rights and terrorism and political violence in general. Marcia Esparza is an Assistant Professor in Criminal Justice Department at John Jay College of Criminal Justice in New York City. Henry R. Huttenbach is the Founder and Chairman of the International Academy for Genocide Prevention and Professor Emeritus of City College of the City University of New York. Daniel Feierstein is the Director of the Center for Genocide Studies at the Universidad Nacional de Tres de Febrero, Argentina, and is a Professor in the Faculty of Genocide at the University of Buenos Aires, Argentina.
The interaction between culture and economy was famously explored by Theodor Adorno and Max Horkheimer by the term 'Kulturindustrie' (The Culture Industry) to describe the production of mass culture and power relations between capitalist producers and mass consumers. Their account is a bleak one, but one that appears to hold continuing relevance, despite being written in 1944. Today, the pervasiveness of network technologies has contributed to the further erosion of the rigid boundaries between high art, mass culture and the economy, resulting in new kinds of cultural production charged with contradictions. On the one hand, the culture industry appears to allow for resistant strategies using digital technologies, but on the other it operates in the service of capital in ever more complex ways. This publication, the first in the DATA browser series, uses the concept of the culture industry as a point of departure, and tests its currency under new conditions. For more information see The DATA browser series presents critical texts that explore issues at the intersection of culture and technology.The editorial group are Geoff Cox, Joasia Krysa, Anya Lewin, Malcolm Miles, Mike Punt & Hugo de Rijke . This volume is produced in association with i-DAT .
This volume contains contributions on the theme of popular culture, crime, and social control. The chapters in this volume tease out various criminologically relevant issues, pertaining to crime/deviance and/or the control thereof, on the basis of an analysis of various aspects and manifestations of popular culture, including music, movies, television, paintings, sculptures, photographs, cartoons, and the internet-based audio-visual materials that are presently available. Thematically diverse within the province of criminology, the chapters in this book are not restricted in terms of theoretical approach and methodological orientation. Using a variety of methodological and theoretical perspectives, the volume is diverse in addressing dimensions of popular culture in relation to important criminological questions.
This book is aimed at engineers and technicians who need to have a clear, practical understanding of the essentials of process control, loop tuning and how to optimize the operation of their particular plant or process. The reader would typically be involved in the design, implementation and upgrading of industrial control systems. Mathematical theory has been kept to a minimum with the emphasis throughout on practical applications and useful information.This book will enable the reader to:* Specify and design the loop requirements for a plant using PID control* Identify and apply the essential building blocks in automatic control* Apply the procedures for open and closed loop tuning* Tune control loops with significant dead-times* Demonstrate a clear understanding of analog process control and how to tune analog loops* Explain concepts used by major manufacturers who use the most up-to-date technology in the process control field? A practical focus on the optimization of process and plant? Readers develop professional competencies, not just theoretical knowledge? Reduce dead-time with loop tuning techniques
What is parental control? Is it positive or negative for children? What makes parents controlling with their children, even when they value supporting children's autonomy? Are there alternatives to control and how might we apply them in important domains of children's lives, such as school and sports? This book addresses these and other questions about the meaning and predictors of parental control, as well as its consequences for children's adjustment and well-being. While the topic of parental control is not new, there has been controversy about the concept, with some researchers and clinicians weighing in on the side of control and others against it. This book argues that part of the controversy stems from different uses of the term, with some investigators focusing more on parents being in control and others on controlling children. Using a definition of control as "e;pressure for children to think, feel, or behave in specific ways,"e; the author explores research on parental control, arguing that there is more consensus than previously thought. Using this research base, the author provides evidence that parental control can be subtle and can lurk within many "e;positive"e; parenting approaches; parental control undermines the very behaviors we wish to inculcate in our children; providing autonomy support--the opposite of control--is a challenge, even when parents are committed to doing so. With controversy in the literature about parental control and attention in the media on the ways in which parents step over the control line (e.g., screaming on the soccer sidelines, pressuring children in academics), this book is especially timely. It provides an empathic view of how easily parents can become trapped in controlling styles by emphasizing performance and hooking their own self-esteem on children's performance. Examples of how this can happen in academic, sporting, and peer situations with their emphasis on competition and hierarchy are provided, as well as strategies for parenting in highl
In-depth coverage of integrated circuit design on the nanoscale levelWritten by international experts in industry and academia, CMOS Nanoelectronics addresses the state of the art in integrated circuit design in the context of emerging systems. New, exciting opportunities in body area networks, wireless communications, data networking, and optical imaging are discussed. This cutting-edge guide explores emerging design concepts for very low power and describes design approaches for RF transceivers, high-speed serial links, PLL/DLL, and ADC/DAC converters.CMOS Nanoelectronics covers:Portable high-efficiency polar transmittersAll-digital RF signal generationFrequency multiplier designTunable CMOS RF filtersGaAs HBT linear power amplifier designHigh-speed serial I/O designCDMA-based crosstalk cancellationDelta-sigma fractional-N PLLDelay locked loopsDigital clock generatorsAnalog design in deep submicron CMOS technologies1/f noise reduction for linear analog CMOS ICsBroadband high-resolution bandpass sigma-delta modulatorsAnalog/digital conversion specifications for power line communication systemsDigital-to-analog converters for LCDsSub-1-V CMOS bandgap reference designAnd much more
This PCI Express based 12V Powered USB Card allows you to add three Powered USB (USB PlusPower) ports to any standard form-factor sized computer, using an available PCI Express Slot.
Drawing power from either the PCI Express slot or the computer power supply, the powered USB adapter card provides up to 3A of current to each connected device, allowing for up to three Powered USB devices to be installed at the same time.
Plus, the PCI Express Powered USB Adapter card can be connected to the corresponding accessory daughter board PUSBADAP (2 Port Low Profile 12V/24V Powered USB Adapter Card), to create two additional Powered USB ports, but does not require a second PCI Express slot.
The StarTech.com Advantage
-Backwards compatible with standard USB 2.0, USB 1.1 and Powered USB peripheral devices.
-Connector locking mechanism prevents cables from being unplugged accidentally.
-Eliminates power adapters for your USB devices, i.e. receipt printers, bar-code scanners, drawers, displays, etc.
-Enables a low-cost, standard PC to become a powerful retail system.
-Supports up to 127 devices.
Features
-3 external 12V Powered USB Connectors.
-Powered from either the 1x PCI Express slot or the Power Supply of the P.C. with a standard LP4 connection.
-Supplies power and data signals over hot-plugging USB cable.
-Can be linked to a daughter board or stand alone.
-Backwards compatible with USB 1.1 and 2.0 standards and allow for hot-plugging.
-No external power is required.
-Two internal USB connections can be used to expanded to the daughter board by connecting the USB header on the Main Board to the USB header on the daughter board using a USB cable.
-Cable locking mechanism.
-Maximum data transfer rate: 480 Mbps.
EAN: 4015082666422 - manufacturer-number: NZM2-XS-L - Handle for power circuit breaker black Lockable, Colour Black, With axe, Suitable for power circuit breaker, Suitable for switch disconnector, Hauptschalterbausatz NZM2-XS-L Abschließbar,Note:After registration and login, all costs (also discounts) arising for you will be clearly shown in the cart (over the icon cart) depending on the payment methods, shipping methods and order amounts you have selected as well as your country and address. - NZM2-XS-L
EAN: 4015082601355 - manufacturer-number: NZM1-XDVR - Handle for power circuit breaker red Lockable, Colour Red, Suitable for emergency stop, Suitable for power circuit breaker, Suitable for switch disconnector, photographed by EIB3D.COM Drehgriff, rot-gelb NZM1-XDVR Abschließbar, Farbe rot, Geeignet für NOT-AUS,Note:After registration and login, all costs (also discounts) arising for you will be clearly shown in the cart (over the icon cart) depending on the payment methods, shipping methods and order amounts you have selected as well as your country and address. photographed by EIB3D.COM - NZM1-XDVR
- Powered by NVIDIA GeForce GTS 450 GPU
- Integrated with industry's best 1GB DDR3 memory and 128-bit memory interface
- Features Dual link DVI-I*2 / mini HDMI with HDCP protection
- GIGABYTE 100mm Fansink
- Support NVIDIA 3D VisionTM and SLI technologies
- Minimum 400W or greater system power supply with one 6-pin external power connector.
Using high quality components on graphics cards is the key factor for having a long lasting, stable and reliable product. GIGABYTE is again setting a new standard by using Ferrite Core Chokes, Low RDS (on) MOSFET and Lower ESR Solid Capacitors, providing the stability and reliability from their high-end graphics solution. In addition, GIGABYTE Ultra Durable 2 Edition graphics cards now feature a sophisticated layout topology. This state-of-the-art power design from GIGABYTE delivers the ideal integration of thermal, electric characteristics, digital signals, power circuitry and optimum placement of components for enhanced graphics performance.
As opposed to the stereotype, GIGABYTE is able to maximize fan size to 10cm with the latest cooling design. With a 10cm fan, the card is virtually silent that its noise level runs much lower.
NVIDIA
PhysX
is the next big thing in gaming!Delivering physics in games is no easy task. It's an extremely compute-intensive environment based on a unique set of physics algorithms that require tremendous amounts of simultaneous mathematical and logical calculations. The best way to get real-time physics, such as explosions that cause dust and debris, characters with life-like motion or cloth that drapes and tears naturally is with an NVIDIA
PhysX
-ready GeForce
processor. PhysX software is widely adopted by over 150 games, is used by more than 10,000 registered users and is supported on Sony Playstation 3, Microsoft Xbox 360, Nintendo Wii and PC. PhysX
technology will take gaming to a whole new level.
NVIDIA
CUDA
is a general purpose parallel computing architecture that leverages the parallel compute engine in NVIDIA graphics processing units (GPUs) to solve many complex computational problems. It unlocks the power of the hundreds of cores in your NVIDIA
GeForce
GPU to accelerate some of the most performance hungry computing applications. From video transcoding to "Folding
home", CUDA
technology already adopted by thousands of programers to speed up intensive computing applications. With over 100 million CUDA-capable GPUs already deployed, thousands of software programmers are already using the free CUDA software tools to accelerate applications.
Delivers up to 2X the performance of a single GPU configuration for unparalleled gaming experiences by allowing two graphics cards to run in parallel. The must-have feature for performance PCI Express graphics, SLI dramatically scales performance on 60 top PC games.
NVIDIA
3D Vision
brings a fully immersive stereoscopic 3D experience to the PC. A combination of high-tech wireless glasses and advanced software 3D Vision transforms hundreds of PC games into full stereoscopic 3D. Users can even watch 3D movies and 3D digital photographs in crystal-clear quality.
The Intel
Xeon
processor 3000 series-based platforms unleash the computing power of Intel
Xeon
processors. Based on the next-generation Intel
microarchitecture, codenamed Nehalem, these processors provide your business with exceptional performance and power efficiency at a very affordable cost.
The Intel Xeon 3000 processor-based servers protect critical business information and offer the performance and headroom to make employees and businesses more productive, making them ideal for small and medium business owners looking for ways to support rapid business growth on small technology budgets.
Designed for needs of entry-level servers, the Intel
Xeon
processor 3400 series adapts to application behavior by automatically adjusting processing power to deliver maximum performance, protecting valuable assets from data corruption and loss, improving productivity with business growth.
DDR3 memory support up to 1333 MHz
- Supports up to thirty-two GB dual-channel DDR3 Error Correcting Code (ECC) memory which checks and corrects system memory errors
- Flexible memory configuration options with support for up to four non-ECC or ECC unregistered DIMMs or up to six ECC Registered DIMMs
Integrated PCI-Express* 2.0 I/O
- Integrated serial I/O technology provides a direct connection between the processor and PCI Express* component/adapters with bandwidth up to 8 GB/s on PCI-Express 2.0 x16 interface.
- The PCI-Express 2.0 x16 interface can be bifurcated to either two x8 PCI Express or four x4 PCI-Express interfaces for maximum design flexibility.
PCI-Express offers higher bandwidth, lower latency, and fewer I/O bottlenecks than PCI and PCI-X.
Italy's Elvenking haven't been afraid to try different things on different albums. Their 2006 release Winter's Wake is best described as power metal/progressive metal with a strong folk influence, but their 2008 recording Two Tragic Poets and a Caravan of Weird Figures offers an unlikely mixture of folk metal and pop-metal. The interesting thing is that this CD finds Elvenking using more acoustic instruments on the one hand, but being more pop-minded on the other hand. How pop-minded? The album even includes a cover of Belinda Carlisle's 'Heaven Is a Place on Earth,' which receives a very Bon Jovi-influenced makeover -- and the tune works enjoyably well as pop-metal. Bon Jovi is not only an influence on the Carlisle cover, but on much of the original material as well. Of course, one rarely hears the name Bon Jovi used in connection with a folk metal disc, but darned if Two Tragic Poets and a Caravan of Weird Figures doesn't manage to be influenced by Bon Jovi and folk metal at the same time. It's an intriguing combination, although some of the headbangers who enjoyed Winter's Wake will no doubt lament the fact that Two Tragic Poets and a Caravan of Weird Figures doesn't rock as hard. When Elvenking increased both the acoustic factor and the pop factor, they decreased the power metal factor: that doesn't mean that this isn't a worthwhile album, but it's definitely a less aggressive and less metallic album than Winter's Wake. Nonetheless, Two Tragic Poets and a Caravan of Weird Figures is an agreeable listen if one doesn't consider himself/herself a metal purist. [A limited edition version was also released.] ~ Alex Henderson
APC IT Power Distribution Module 3 Pole 5 Wire 63A IEC309 1040cm A touch-safe Power Distribution Module (including circuit breaker, power cord, power connection, and circuit monitoring) that eliminates the need for hot work or shutdowns during expansion
APC IT Power Distribution Module 3 Pole 5 Wire 63A IEC309 260cm A touch-safe Power Distribution Module (including circuit breaker, power cord, power connection, and circuit monitoring) that eliminates the need for hot work or shutdowns during expansion o
APC IT Power Distribution Module 3 Pole 5 Wire 63A IEC309 380cm A touch-safe Power Distribution Module (including circuit breaker, power cord, power connection, and circuit monitoring) that eliminates the need for hot work or shutdowns during expansion o
APC IT Power Distribution Module 3 Pole 5 Wire 63A IEC309 440cm A touch-safe Power Distribution Module (including circuit breaker, power cord, power connection, and circuit monitoring) that eliminates the need for hot work or shutdowns during expansion o
APC IT Power Distribution Module 3 Pole 5 Wire 63A IEC309 500cm A touch-safe Power Distribution Module (including circuit breaker, power cord, power connection, and circuit monitoring) that eliminates the need for hot work or shutdowns during expansion o
APC IT Power Distribution Module 3 Pole 5 Wire 63A IEC309 560cm A touch-safe Power Distribution Module (including circuit breaker, power cord, power connection, and circuit monitoring) that eliminates the need for hot work or shutdowns during expansion o
APC IT Power Distribution Module 3 Pole 5 Wire 63A IEC309 620cm A touch-safe Power Distribution Module (including circuit breaker, power cord, power connection, and circuit monitoring) that eliminates the need for hot work or shutdowns during expansion o
APC IT Power Distribution Module 3 Pole 5 Wire 63A IEC309 680cm A touch-safe Power Distribution Module (including circuit breaker, power cord, power connection, and circuit monitoring) that eliminates the need for hot work or shutdowns during expansion o
APC IT Power Distribution Module 3 Pole 5 Wire 63A IEC309 740cm A touch-safe Power Distribution Module (including circuit breaker, power cord, power connection, and circuit monitoring) that eliminates the need for hot work or shutdowns during expansion o
APC IT Power Distribution Module 3 Pole 5 Wire 63A IEC309 800cm A touch-safe Power Distribution Module (including circuit breaker, power cord, power connection, and circuit monitoring) that eliminates the need for hot work or shutdowns during expansion o
APC IT Power Distribution Module 3 Pole 5 Wire 63A IEC309 860cm A touch-safe Power Distribution Module (including circuit breaker, power cord, power connection, and circuit monitoring) that eliminates the need for hot work or shutdowns during expansion o
APC IT Power Distribution Module 3 Pole 5 Wire 63A IEC309 920cm A touch-safe Power Distribution Module (including circuit breaker, power cord, power connection, and circuit monitoring) that eliminates the need for hot work or shutdowns during expansion o
APC IT Power Distribution Module 3 Pole 5 Wire 63A IEC309 980cm A touch-safe Power Distribution Module (including circuit breaker, power cord, power connection, and circuit monitoring) that eliminates the need for hot work or shutdowns during expansion o
Italy's Elvenking haven't been afraid to try different things on different albums. Their 2006 release Winter's Wake is best described as power metal/progressive metal with a strong folk influence, but their 2008 recording Two Tragic Poets and a Caravan of Weird Figures offers an unlikely mixture of folk metal and pop-metal. The interesting thing is that this CD finds Elvenking using more acoustic instruments on the one hand, but being more pop-minded on the other hand. How pop-minded? The album even includes a cover of Belinda Carlisle's 'Heaven Is a Place on Earth,' which receives a very Bon Jovi-influenced makeover -- and the tune works enjoyably well as pop-metal. Bon Jovi is not only an influence on the Carlisle cover, but on much of the original material as well. Of course, one rarely hears the name Bon Jovi used in connection with a folk metal disc, but darned if Two Tragic Poets and a Caravan of Weird Figures doesn't manage to be influenced by Bon Jovi and folk metal at the same time. It's an intriguing combination, although some of the headbangers who enjoyed Winter's Wake will no doubt lament the fact that Two Tragic Poets and a Caravan of Weird Figures doesn't rock as hard. When Elvenking increased both the acoustic factor and the pop factor, they decreased the power metal factor: that doesn't mean that this isn't a worthwhile album, but it's definitely a less aggressive and less metallic album than Winter's Wake. Nonetheless, Two Tragic Poets and a Caravan of Weird Figures is an agreeable listen if one doesn't consider himself/herself a metal purist. [A limited edition version was also released.] ~ Alex Henderson
The Sarbanes-Oxley (SOX) bar has been raised-is your nonprofit board up to the task?Nonprofit boards are in a fishbowl of scrutiny much like their private sector counterparts. With recent media focus on investigations of false charities, and more disturbingly, of household-name nonprofits that have abused donor trust by misdirecting donations, the heat is on the nonprofit board to rehabilitate its organizational profile.Encouraging boards to reclaim their role as the ultimate authority within their nonprofit, nationally recognized nonprofit expert Dr. Peggy Jackson supplies tips for leveraging the power and value of SOX requirements within the nonprofit organization. Containing sample documents, forms, and checklists to introduce best practices into any nonprofit organization, this complete guide is a practical, hands-on tool for equipping your nonprofit's board toward a higher quality of control.Relevant for both the large and small nonprofit organization, this must-have book effectively brings pragmatic clarity to a complex topic, and explains how to blend Sarbanes-Oxley requirements into the nonprofit organization, with topics including:Common factors that contribute to nonprofit board dysfunctionMoving nonprofit governance into the twenty-first centuryIntervention techniques for moving your board forwardEstablishing strategies for lasting changeCreating a platinum standard for governanceHelping your nonprofit board understand and implement SOX requirements, Sarbanes-Oxley for Nonprofit Boards will be indispensable as a guide and will reinforce your nonprofit's financial structure and reputation.
The 4220L touchmonitor is designed to take digital signage one step further with the interactivity of touch. Applications benefitting from the large format display include animal research, display of consumer information, and museum usage. The removable stand makes the 4220L suitable for both the desktop and for wall mounting using an arm. Portrait mode is also available. VGA loop through allows daisy-chaining of multiple monitors, and the monitor can be remotely controlled by a network.
Features
-Available with IntelliTouch Surface Wave Technology and dual serial/USB interface.
-High quality panel with 178
viewing angle.
-Wide format WXGA resolution for sharper display.
-Plastic bezel adds durability for protection against vandalism.
-Backlight intensity can be changed to reduce power consumption up to 50%.
-Controls on the back rather than the front, for less public access.
-Hidden operating controls.
-Picture-in-picture (PIP).
-Desktop stand can be removed for wall mounting option.
-VESA mounting option.
-Internal speakers.
-Sealed touchscreen.
-Multilingual on-screen display (OSD).
The i-Pro WV-NF302 megapixel network camera features a 1280 x 960 megapixel image sensor with MPEG-4/JPEG digital output at a VGA image size up to 30 ips and with dual streaming capabilities. The unobtrusive design of this high-performance dome camera is complemented by a rugged heavy duty metal body and polycarbonate dome cover for demanding installation applications. Other performance features include: PoE, built-in video motion detection (VMD); progressive output for clear moving images; Adaptive Black Stretch (ABS) to enhance the visibility of dark areas without compromising the bright area in the same scene; RGB filter for superior color reproduction; focus assist with on-screen focus adjustment for optimal focus; and SD memory card slot for backup recording due to network failure. In addition to its impressive image quality and features, the WV-NF302 is designed for ease of installation with an analog monitor output for quick verification of camera adjustments; a three-way hinge with horizontal, vertical and swivel rotation adjustments; and options for surface and embedded mounting, as well as mounting in a standard electrical junction box.
Key Features
- Superior image of 1,280 x 960 pixels, enhancing its identification capability
- MPEG-4/JPEG digital signal output at VGA image size with up to 30 ips
- MPEG-4 and JPEG dual stream output for simultaneous real time monitoring and high resolution recording
- Progressive output ensures clear images with less motion blur and no tearing even when the subject is moving.
- High sensitivity: 1.5 lux at F1.3 (color, wide) when used with clear dome cover
- ABS (Adaptive Black Stretch) increases visibility of subjects in dark areas without degrading image quality in bright areas by analyzing the
illumination map/signal level distribution
and adjusting gamma correction for each area separately.
- Superior color reproduction by primary (RGB) color filter
- Up to 16x automatic electronic sensitivity enhancement
- Outdoor/Indoor selectable light control modes: Electronic shutter and ALC lens iris control are automatically controlled depending on the mode and luminance level.
- 2.8 ~ 10 mm, 3.6x Varifocal lens built-in
- VMD (Video Motion Detector) with 4 programmable detection areas, 15 steps sensitivity level and 10 steps detection size
- Privacy Zone can mask up to 8 private areas, such as house windows and entrances/exits.
- 2x, 4x digital zoom controlled by browser
- Camera title display: Up to 20 alphanumeric characters on the browser, Up to 16 alphanumeric characters with three selectable character sizes embedded in the image
- Alarm sources including Terminal input, VMD and Panasonic alarm command can trigger actions such as SD memory recording, FTP image transfer, E-mail notification, Indication on browser, Alarm terminal output, and Panasonic protocol output.
- Full duplex bi-directional audio allows interactive communication between camera site and monitoring site.
- Image compression ratio can be changed by alarm so that higher quality image can be provided.
- Focus assist: Focus adjustment position is displayed on the screen making it simple to find the best focus position.
- Prioritized stream control: One of the video streams can be prioritized when multiple recorders or client
PCs are accessing the camera so that the recorder or the client PC can maintain the frame rate.
- Multiscreen: Image from 16 cameras can be displayed in 4 different Quad screens or 16 split screen (JPEG only). 20 characters camera title is available for each camera.
- FTP client function enables periodic image data transfer or transfer upon alarm.
- SD Memory card slot for manual recording, alarm recording and backup upon network failure.
- MPEG-4 max bit rate/client and Total bit rate control allows flexible network traffic management.
Frame rate priority mode controls bit rate and compression ratio to provide the best available frame rate.
- Alarm log, Manual REC log, FTP error log saved in the SD memory card is displayed on the browser GUI and can be downloaded to the client PC. Playback or Image data download through the log is also available.
- Multi-language GUI and setup menu: English, French, Italian, Spanish, German, Russian (PAL), English, French (NTSC), (Installation required except for English).
- Scheduling function for Alarm / VMD / Access permission
- IPv4/IPv6 protocol supported
- Analog Monitor output for easier installation
- Flexible power sources: Power over Ethernet (PoE) IEEE 802.3af or 12 V DC
- Three-way hinge (horizontal, vertical and swivel rotation) for flexible installation
- Various mounting options: Surface mount, Embedded mount (with optional WV-Q173), Mounting to a junction box (locally obtained)
- Heavy duty Metal body and polycarbonate dome cover ensure 24/7 operation.
Affordable, Managed Gigabit Switching with Flexible Uplinks
The "smart" voice-ready 3Com
Baseline Switch 2916-SFP Plus is a web-managed Layer 2 Gigabit switch. It offers enterprise-class features, customized and priced for small- and mid-sized organizations.
With an easy-to-use switch interface and advanced features (VLANs, IEEE 802.1X authentication and Rapid Spanning Tree), this switch is the most cost-effective way to provide a converged network.
Layer 2 Switching with Advanced Features
The Baseline Switch 2916-SFP Plus has sixteen 10/100/1000 ports and four dual-purpose Gigabit ports (copper or SFP-based fiber) to connect to high-performance computers, servers, or core network backbones.
This "smart" switch has the features that help build a voice ready network, with support for auto-voice VLAN, SNMP-based management, IGMP snooping and query, and IEEE 802.1X and advanced Access Control Lists (ACLs) for strengthening security.
The switch provides non-blocking performance
all ports perform at wirespeed which helps to eliminate network traffic bottlenecks. LACP link aggregation (IEEE 802.3ad) allows ports to be automatically grouped together to form an ultra-high-bandwidth connection that greatly expands bandwidth capacity to the network backbone.
The Baseline Switch 2916-SFP Plus also supports Spanning Tree and Rapid Spanning Tree, traffic prioritization, priority queuing and VLANs. These switching features ensure optimal use of available bandwidth as traffic flow is directed according to the needs of the business.
No Switch Setup Required
This Baseline Plus switch is operational straight out-of-the-box; as long as default settings are acceptable, there is no need to configure the switch. If desired, the switch can be configured using a web browser or SNMP management software.
1T-CT-445 is a comprehensive system used for the transmission of RGBHV signals at resolutions up to 1920x1200 and 1080p over Cat.5/5E or Cat.6 cable at great distances. RS-232 control sequences are also transmitted on the same Cat.5/5e or Cat.6 cables which allow remote control of distant devices. The 1T-CT-445 Transmitter is capable of up to 300 meter (1,000') range. The 1T-CT-454 receiver supports distances of up to 150M (500') and the 1T-CT-458 receiver provides at 300M (1,000') range. Both receivers provide for Equalization and Gain adjustment and the 1T-CT-458 receiver also provides Skew correction capability. The system supports the DDC2B/EDID protocol which, when used with a DDC2B/EDID monitor, provides for automatic resolution detection for the remote monitor. The power connector on all units uses an exclusive locking device to prevent inadvertent loss of power and finally an optional rack mounting kit is available if desired.
1T-CT-458 is a comprehensive system used for the transmission of RGBHV signals at resolutions up to 1920x1200 and 1080p over Cat.5/5E or Cat.6 cable at great distances. RS-232 control sequences are also transmitted on the same Cat.5/5e or Cat.6 cables which allow remote control of distant devices. The 1T-CT-445 Transmitter is capable of up to 300 meter (1,000') range. The 1T-CT-454 receiver supports distances of up to 150M (500') and the 1T-CT-458 receiver provides at 300M (1,000') range. Both receivers provide for Equalization and Gain adjustment and the 1T-CT-458 receiver also provides Skew correction capability. The system supports the DDC2B/EDID protocol which, when used with a DDC2B/EDID monitor, provides for automatic resolution detection for the remote monitor. The power connector on all units uses an exclusive locking device to prevent inadvertent loss of power and finally an optional rack mounting kit is available if desired.
Using clinical studies based on the author's publication to illustrate work with severely distressed children, this title encourages the reader to enter a dialogue with the author to explore the many dilemmas and difficulties of working with a person who has become highly defensive or fearful as a result of what has happened to them.
Provides information for using EN 1990 and on the background to the Eurocode. This work explains its relationship to Eurocode 1: Actions on Structures and the material Eurocodes (2-6 and 9), Eurocode 7 for Geotechnical Design and Eurocode 8 for seismic design.